The 15-Year-Journey Of ‘Ella, Oscar & Hoo’ From Children’s Book To TV Series
Based on the illustrations of Oscar-winning director Michael Dudok de Wit, "Ella, Oscar & Hoo" strikes an unusually poetic chord for a children's series.
Based on the illustrations of Oscar-winning director Michael Dudok de Wit, "Ella, Oscar & Hoo" strikes an unusually poetic chord for a children's series.
Cartoon Brew makes sense of the virtual production phenomenon, and provides resources that filmmakers can use to start experimenting with virtual production techniques.
An oral history of PDI's tech behind the making of "Antz," which is celebrating its 20th anniversary.
Using TVPaint, the filmmakers of "Sam's Dream" were able to achieve the hand-made painterly quality that they were looking for.
DitoGear offers essential gear for stop-motion animators. Here's our case study of how one animator used DitoGear's Animator Cube to create his latest project.
An explanation of light field rendering and how it can help animators with immersive vr filmmaking.
Oscar-nominated and Cannes-winning film director Carlos Carrera speaks with us about his long-awaited feature "Ana and Bruno."
Before "Frozen" and "Zootopia," there was a film called "Oilspot and Lipstick."
This 3ds Max plugin favored by directors like Makoto Shinkai and Hideaki Anno just released a new version.
"It’s not going to look like a Pixar movie, where you see money on the screen," says "Ernest & Celestine" director Benjamin Renner.
This is what you clicked on the most in 2016.
Santa's had enough!
Behind the scenes of the film's biggest beasts.
In Part 2 of our 20th anniversary oral history of Space Jam, the crew discuss tackling new techniques for 2D animation, and gearing up for the vfx.
We look back at the making of Michael Jackson's "Black or White" music video on its 25th anniversary.
Studios around the world are now using TVPaint to craft their latest features.
Technologies have changed over time, but one thing remains the same about SVA's MFA Computer Art program: its unique multidisciplinary approach to digital art making.
"Dragonheart," released twenty years ago this week, was a live-action film that had one of the first digital characters you could believe in. We talk to the ILM artists who created it.
Cartoon Brew presents the Internet world premiere of "Symphony of Two Minds," a CG short unlike any you've seen before.
Cartoon Brew reports from Germany's digital art conference FMX.