Cartoon Brew TV #22: Howdy Doody and His Magic Hat (1953)
By Gene Deitch. A classic and, until now, lost UPA short from 1953.
By Gene Deitch. A classic and, until now, lost UPA short from 1953.
Gene Deitch has written this plea before, but he’s not ready to give up hope. The first cartoon he ever directed – for UPA no less – is …
Prepare yourself! That’s all I can say about David Sheahan’s Together! (2009). The first time I saw this film was like a punch in the …
When I saw this short last month at the student film screening for the School of Visual Arts, I instantly knew it was something that we …
Researching early sound cartoons is fascinating. By studying these efforts, it becomes easier to see why Disney’s Steamboat Willie was …
A The Abominable Snow-Rabbit Acrobatty Bunny The Adventures Of The Road Runner Africa Squeaks A-Haunting We Will Go Ain’t Nature …
Steven Subotnick’s film Hairyman began as an interpretation of an American folk tale from the South, but the idea evolved in an …
We’re pleased to bring you our first episode, Michael Langan’s Doxology, a graduation film produced at Rhode Island School of Design. …
Charles Shopsin has been semi-regularly posting old articles on early cartoon production, from 1920s-1930s science and mechanics …
ABC’s broadcast of Nightline last night did a report on classic cartoon censorship. I appear on camera to give a few thoughts.
There’s a lot of animation nowadays that has a retro-pixel look with blocky graphics. None I’ve seen execute the look as elegantly as the …
In a man's final swim, the aging champion revisits love, joy, and trauma, as water becomes a living passage between memory, loss, and survival.
A preliminary calendar of animated feature films releasing in 2026, from major studio sequels to original anime, Pixar, Disney, and indie titles.
From story structure to CG textures, Derek Drymon and the Reel FX animation team detail how SpongeBob’s theatrical DNA was preserved and expanded.
Director Julian Glander unpacks the visual design, storytelling choices, and Blender DIY animation methods behind a defining scene in 'Boys Go to Jupiter.'
Castillo discusses the film's horror roots, innovative technological pipeline, and adapting the aesthetic of Francisco de Goya's Black Paintings in animation.
Miailhe’s painted animation brings Alfred Nakache’s memories to life, charting a swimmer’s resilience through beauty, trauma, and water.
The film turns on a gifted young runner who meets his first real rival, sparking a fierce mentorship, a fall from grace, and a powerful comeback on the track.
After starting at Disney, Benedict helped guide the first TV animation boom at Hanna-Barbera, working on dozens of titles and documenting every step of the way.
Abdel Dnewar’s hybrid-animated short examines twinhood, subjective memory, and loss, honoring the life and artistry of his late brother and co-director, Saad.