GKIDS Will Release ‘On-Gaku: Our Sound’ In The U.S.
Ever-reliable animation distributor GKIDS has acquired North American distribution rights to the indie Japanese animated feature On-Gaku: …
Ever-reliable animation distributor GKIDS has acquired North American distribution rights to the indie Japanese animated feature On-Gaku: …
Stay small. Keep family close. Don't be an asshole. These are some of the rules that have worked for animation director and studio owner J.J. Sedelmaier.
Wan spotlights sublime cuts in shows ranging from "Naruto" to "Devilman Crybaby."
Filmmakers Wesley Louis And Mohamed Fadera share their thoughts in a video hosted by animation studio The Line.
Sixty-second videos. Unbridled creativity. Millions of viewers. Welcome to animation on Tiktok.
We speak to the renowned filmmaker ahead of the Annecy premiere of his autobiographical new film "Altötting."
Industry artists are tired of pay secrecy and are sharing their salaries on social media.
Ahead of its Annecy screening, director Mariusz Wilczyński tells us how he made "the first feature animated art film in the history of Polish cinema."
Ghibli's former head of international speaks about the studio's awkward relationship with Disney — and much more — ahead of the release of his memoir.
Some tips to get started: push color, disregard how light really behaves, and don’t let the background upstage the characters.
A look at animators on Instagram.
Mikrofilm is still encouraging staff to work at home, but those who wish to return to work can do so, with plenty of new safety measures in place.
Arthur van Merwijk started making "Morphle" by himself. Now, it's a global entertainment brand with millions of Youtube subscribers and billions of views.
The revered cinematographer discusses his little-known work for the likes of Pixar and Dreamworks in a fascinating new podcast series.
After a decade of studying and working in Europe, show creator Cheng Li is pushing to bring new ideas into Chinese series.
A look at animators on Instagram.
Joseph Wallace spent almost six years developing "Salvation Has no Name." Weeks into the shoot, he had to shut it down.
The Chinese government has found a new use for animation: spreading anti-U.S. propaganda.
With Callipeg, artists can now leave their desks and animate wherever they want and need with professional tools, using the iPad's power to its full potential.
In a guest piece, industry executive Aaron Simpson explains how the animation industry had been preparing for this disaster for decades without even knowing it.