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Bardel Entertainment, which works on shows including 'Rick and Morty' and 'Teen Titans Go!' will launch a new visual effects division under Stopa's leadership.
Genndy Tartakovsky discusses the long road to his R-rated 2D comedy, from high school inspirations to a roaring Annecy premiere and upcoming Netflix debut.
Crunchyroll will undergo another round of layoffs as part of a global restructuring aimed at boosting growth in emerging markets.
'Golden,' from 'KPop Demon Hunters,' tops Billboard's Hot 100, as the first female-led K-pop No. 1, further fueling the film’s global success.
Universal shifts 'Shrek 5' from December 2026 to June 30, 2027, avoiding a heavily packed holiday release window.
Universal’s live-action 'How to Train Your Dragon' remake soars to $623.5M worldwide, surpassing all previous entries in the beloved series.
From storyboards to dance references, 'KPop Demon Hunters' artists are sharing their behind-the-scenes art and reference videos from the summer blockbuster.
Gutiérrez’s Spec Labs talk, 'Fighting With Autism,' screened at Comic-Con last month and inspires with personal stories and support for neurodivergent artists.
Disney’s Marlon West, 'Avatar' VFX vet Brooke Breton, and 'Shrek' costume designer Isis Mussenden bring animation and effects to Academy Foundation’s board.
Midjourney responds to Disney and Universal's lawsuit, arguing fair use and accusing studios of using GenAI while trying to restrict it for others.
Pakistan’s first hand‑drawn animated feature, 'The Glassworker,' unveils an English-language trailer ahead of its U.S. theatrical release this month.
Only halfway through its 91‑day viewing window, Netflix’s current metric for tracking views, ‘KPDH’ is on track to claim the No. 2 spot by next week.
Sony Pictures Animation is developing a Spider-Punk feature co-written by Daniel Kaluuya and Ajon Singh, expanding the hit Spider-Verse franchise.
In Nikita Kibirev's one-minute short 'CAGE,' the U.S.-born Russian immigrant uses surreal horror to explore the fear and cycles of American authoritarian power.
Disney explored using AI in its feature films, including a deepfake Dwayne 'The Rock' Johnson in the live-action 'Moana' remake, but cut it from the final film.
DreamWorks animators reveal how 'The Bad Guys 2' amps up its hybrid style with hand-drawn effects, anime-inspired flair, and ambitious action set pieces.
Ashwin Kumar's 'Mahavatar Narsimha' crosses $11M, becoming India's highest-grossing animated film, surpassing even top international releases.
Screenwriter Shuko Nemoto shares her process behind Netflix's 'My Melody & Kuromi' and how she brought emotional depth to beloved Sanrio icons.
Julian Glander’s debut feature, 'Boys Go to Jupiter,' blends surreal CG animation, Gen Z humor, and DIY production into a one-of-a-kind indie film.
Producer Bill Borden partners with Mili Pictures to launch 'Wukong Warrior' globally via TV and streaming, bypassing a traditional theatrical release.