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‘Lupin III: The First’ Interview: The Joys And Challenges Of Translating The Classic Franchise To CG
We discuss the gentleman thief's first cg outing with Tomokazu Sakamoto and Tatsuya Akagi, animation and rigging supervisor on the film.
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Tools Of The Trade: Maryka & Quentin on Procreate
Welcome to our new series, in which industry artists and filmmakers speak about their favorite tool they used on a recent project.
The Animation That Changed Me: Wesley Louis on ‘Akira’
"I just don't think we'll ever get something that game-changing in animation again," says Louis of Katsuhiro Otomo's cyberpunk classic.
‘Lupin III: The First’ Review: The Gentleman Thief Gains A Dimension Without Losing His Charm
Japan's beloved crime-caper franchise is rebooted in 3d cgi with skill and smarts.
Exclusive Online Film Premiere: ‘Tales From The Multiverse’ by Magnus Møller, Mette Tange & Peter Smith
Dinosaurs collide with cavemen, Adam with aliens, in this zany send-up of creation myths.
Industry Artist Matt Watts Explains How To Build A Great Rig Using Toon Boom Harmony
Matt Watts talks about an important and often overlooked part of the 2D animation process: character rigging.
Director Tomm Moore Reveals New Details About ‘Wolfwalkers,’ Coming to Apple TV+ (Annecy WIP)
The final panel of Cartoon Saloon's “Irish folklore triptych” is almost here.
How To Make A Short Film Using Quill: An Animator’s Guide To The VR Software
Zeyu Ren explains how he thinks Quill could benefit all animators working in 3d.
Why Steven Spielberg’s Animated Adaptation Of ‘Cats’ Never Made It Past Development
Revisiting the forgotten history of the unmade animated version of "Cats." The project passed through different styles, teams, and countries, before collapsing.
Let South Korea’s ‘Doggie Corgi’ Soothe You: ASMR Animation Might Be The Next Big Thing
South Korea's Studio Goindol is combining animation with ASMR sensations to create a new brand of calming animation.
How ‘Becca’s Bunch’ Achieved Its Unique Blend Of Puppetry And Animation
The Nick Jr. series is a striking hybrid of live action and animation. Its creators break the production process down for Cartoon Brew.
Inside The Artist’s Studio: Sophie Koko Gate
The London-based animator invites us into her "little dungeon," where she shows us her sketches, handmade t-shirts, and collection of tiny objects.
4 Steps Sony Imageworks Took To Animate The Sardonic Pawny From ‘Men In Black: International’
Kumail Nanjiani lends his voice — and personality — to the completely cg alien.
‘Detective Pikachu’ VFX Supervisor Erik Nordby On The Huge Challenge Of Translating Pokémon Into CG
With over 60 Pokémon to design and a complicated approval pipeline, "Pokémon Detective Pikachu" was not your typical hybrid cg production.
Laika Reveals The Hairy Business Of Animating Fur For ‘Missing Link’
Animating fur in "Missing Link" required a combination of old-fashioned craftsmanship and tech-savvy vfx.
How ‘Welcome to Marwen’ Mixed Animation And Live-Action To Turn Steve Carell Into a Doll
The filmmakers of "Welcome to Marwen" came up with an innovative and cost-effective technique to create its miniature doll characters.
Academy Voters: You Better Not Overlook These 6 Animated Features In The Oscar Race
PAY ATTENTION TO THESE FILMS!
‘If It’s Not Broke, Break It’: Sony Imageworks’ Renegade Approach To ‘Spider-Man: Into the Spider-Verse’
Why Imageworks had to 'break' their animation and VFX pipeline to make "Spider-Man: Into The Spider-Verse."
How Shofela Coker Created Beautiful Visuals On A Budget For The Feature Documentary ‘Liyana’
Working with a limited budget, Nigerian artist Shofela Coker created a lush series of "breathing paintings" for the hybrid documentary "Liyana."
Going Galactic With Gorillaz: How Their Stylized Watch Ads For G-Shock Were Made
Behind the scenes of the uniquely styled photocollage/2d/3d G-Shock ads featuring the animated Gorillaz.
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