Let Fury Have The Hour – Remembering Phil Mulloy
Phil Mulloy, British animator and satirist, dies at 76.
Phil Mulloy, British animator and satirist, dies at 76.
Leaders at Tonko House, KuKu Studios, Titmouse, and Reel FX chime in on the potential impact of California's expanded incentives.
The ticketed event is a benefit supporting the restoration of Disney’s birthplace in Chicago and The Center for Early Childhood Creativity and Innovation.
The highly anticipated reboot will stream on Hulu starting on August 4.
The series, a multi-timeline story about a Jewish family in California, will debut on August 22.
Distributed by Sony Pictures, 2024's 'The Garfield Movie' made $234.7 million, so it's no surprise the company is coming back for seconds.
Covamonas's experimental cinema played with dreamlike collages, reshaping film through surreal, public-domain mashups.
Erick Rouillé - a 30-year industry vet with experience at Disney, DreamWorks, and Mediawan - will lead the company’s audiovisual efforts from Paris.
Bradley, who joined Atomic in 2013 from Pixar Canada, had production credits on series including 'Hilda' and 'The Last Kids on Earth.'
Netflix says half of its 300 million users now watch anime, while a Dentsu study found that almost a third of global consumers watch anime at least once a week.
Senate Bill 630 extends a 35% tax credit to animated features, series, or shorts that are produced in California, with a minimum production budget of $1 million.
Meyer is working on a concept teaser for his meta live-action/2D hybrid project 'Tricky,' currently in early development.
Will Smith and Jada Pinkett Smith's Westbrook Inc. partners with NFT-born Studio Azuki to develop original anime IPs and adaptations.
Warner Bros. drops trailer for animated Cat in the Hat, coming February 27, 2026, the first animated feature adaptation of the iconic children's' book.
Webtoon Entertainment’s Line Digital Frontier teams with Oscar-nominated Dandelion Animation Studio on the adaptation.
The program is set to begin in Mexico early next year, and it is open to both students of Escena and outside participants.
“I wasn’t aiming for realism,” says "MirrorMask" director Dave McKean. “CG can go anywhere and be anything, [but] so much of it is just trying to be photoreal, and that seems a very narrow target."
There is no precedent for the poor performance of "Elio."
"The ultimate challenge," said co-director Chris Appelhans, "is that pop music, above all, needs to be a bop and it needs to be hooky, and it needs to be irresistible."
Animaj's business model is unique compared to other animation AI startups because it is also a content company that owns and monetizes children's IP.