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‘Thor: Ragnarok’: Making Marvel’s Funniest Character So Far
Animators overcame big challenges to transform Taika Waititi into a 7-foot 6-inch rock creature.
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20-Year Anniversary: Creature Supervisor Phil Tippett Reflects On ‘Starship Troopers’
Visual effects legend Phil Tippett looks back at two decades since "Starship Troopers," and shares recently unearthed location scout and on-set video from the film.
INTERVIEW: Director Naoko Yamada On ‘A Silent Voice,’ Now In U.S. Theaters
A big hit in Japan, "A Silent Voice" has made its to American theaters. We spoke with the director about her one-of-a-kind film.
3D Wire Offers Up-Close Look At Spain’s Surging Animation Industry
Over 150 animation projects will be presented next week at 3D Wire.
The Secret History Of Disney’s ‘Gemini Man’ And The Quest To Make A Convincing CG Human
More than 15 years ago, Disney tried to make "Gemini Man," a film in which a real actor interacted with his younger CG self. This is the story of the studio's ambitious attempt to make a convincing CG human.
Artist of the Day: Erik Svetoft
Discover the art of Erik Svetoft, Cartoon Brew's Artist of the Day.
‘The Emoji Movie’ Did Something Right By Creating A Free, Digital Art-Of Book
"The Emoji Movie" did something right.
Why Hollywood Can’t Stop Making Films About Lego, Emojis, And Angry Birds
Why is Hollywood obsessed with making animated films based on intellectual property that doesn't have any stories, characters, or mythologies?
INTERVIEW: Rob Hoegee And Chris Prynoski On The New Amazon Original Series ‘Niko and the Sword of Light’
Titmouse brought its A game for the new Amazon fantasy-adventure series "Niko and the Sword of Light."
‘Riders of the Storyboard’ Hints At Animation’s Immersive And Interactive Future
A peek into the future of animation.
ANNECY 2017: Nora Twomey On Directing Cartoon Saloon’s Feature ‘The Breadwinner’
Cartoon Saloon returns to theaters this fall with a very different type of animated feature: "The Breadwinner." We go in-depth on the new production with director Nora Twomey.
Midas Touch Automates 2D Animation With New Creature Tool
A new tool automates the tedious task of secondary animation, like cloth and hair.
‘Captain Underpants’ Could Dramatically Alter The U.S. Feature Animation Industry
"Captain Underpants" marks a couple of historic firsts for Dreamworks Animation, and for L.A. feature artists, they could be worrisome firsts.
‘Alien: Covenant’: How On-set Suit Performances, Mo-cap, And VFX Each Played A Role In Production
Behind the scenes of Ridley Scott's newest "Alien" film, with before and after image breakdowns.
The Beautiful Side of ‘Ugly’: How A Film Embraced Errors And Happy Accidents In CG
How deliberate errors, unusual animation inputs, and ‘ugly’ simulations resulted in a one-of-a-kind animated short.
GLAS Animation Festival 2017 Recap: First And Foremost An Animator’s Festival
This year's GLAS had all of the essential ingredients that make a great festival.
Director Lizzi Akana On Creating Bandai Namco’s Code Vein Teaser
Bandai Namco teased their upcoming anime vampire RPG Code Vein with a mysterious hand-drawn teaser. We speak to director Lizzi Akana about how the idea happened.
NBCUniversal Is Launching A New Channel: Universal Kids
Now we know why Comcast-NBCUniversal bought Dreamworks Animation: a new children's network. Here's what you need to know about Universal Kids.
Can You Pick the Real Car in This Shot? Behind-The-Scenes of ‘The Fate of the Furious’
By the end of production, even the vfx artists and filmmakers had difficulty telling the real cars apart from the digital ones.
‘Everything’ Creator David OReilly On The Hard Truths Of Moving Away From Animation
David OReilly conquered the world of indie cg animation in less than a decade. Now he aims to repeat that success in games with his stunning new work Everything, out today on Steam.
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