Rebooting ‘Danger Mouse’ For A New Generation: Interview with Directors Robert Cullen and Paul O’Flanagan
The surreal '80s cartoon classic recently rolled out an all-star reboot across the pond.
The surreal '80s cartoon classic recently rolled out an all-star reboot across the pond.
After sending out a call to African animators for ideas, Triggerfish Story Lab quickly received 1,378 entries from 30 countries.
A leaked Sony email reveals part of the decision-making process that led Sony executives to hire Kristine Belson as the head of their animation division.
A project aims to collect as many letters of encouragement as it can from animators.
C.H. Greenblatt, creator of the animated series "Chowder," is back with a new series, "Harvey Beaks," that premieres this Sunday on Nickelodeon.
Steve Hulett remembers the time when Disney artists were told they were being moved to a warehouse off the lot, and the animation division's first "gong show" pitch session.
"Mexico is way more complicated than anybody thinks." Jorge Gutierrez talks like a man on a mission. For the past decade-and-a-half, he has sought to bring a more authentic portrayal of Mexico and its people to Hollywood.
Walt Disney Productions changed forever when two guys named Mike and Frank showed up.
Steve Hulett on everything from "Winnie the Pooh and a Day for Eeyore" to "Katy Caterpillar."
Mondo Media may be expanding their brand into the kid-friendly market, but that doesn’t mean they’re neglecting their adult-oriented successes.
After years of producing teen-targeted shows like "Happy Tree Friends" and "Dick Figures," Mondo Media is eyeing the lucrative kids' market by teaming up with major toy manufacturer Spin Master, makers of Bakugan Battle Brawlers, Air Hogs, and Hedbanz.
Are you hunting for a great animation job? The Cartoon Brew Job Board is the ideal place to look for your next gig.
Sony Animation has posted this nicely produced nine-minute profile of Lauren Faust, who is developing their "Medusa" feature.
Why Nickelodon's public pitching spectacles are a disservice to the network and to the artists who work there.
I was back in Don Duckwall's office, exchanging insincere smiles with him. I had been on "The Fox and the Hound" with Larry, Woolie, and everybody else for half a year. But now Don wanted me to go on another assignment.
Mark Mayerson, a TV show creator, animator, and teacher, has written what may be the single best thing I've ever read about the contemporary animation pitching process.
"The Tom and Jerry Show" will premiere Wednesday, April 9th, at 5:30pm (ET/PT) on Cartoon Network. It's being pitched as "a fresh take on the iconic frenemies that preserves the look, core characters and sensibilities of the original theatrical shorts." Unlike the original 6-7 minute theatrical shorts, which were produced during the 1940s-'50s, the new episodes will be 11-minutes each.
Rowland Emett, one of the greatest British cartoonists of the previous century yet mostly forgotten today, is finally getting his due. The Birmingham Museum in England will open "Marvellous Machines: The Wonderful World of Rowland Emett" on May 10.
The Los Angeles indie animation event of the season takes place tomorrow, Saturday March 8th, at The Cinefamily. Animation Breakdown Roundup! is a collection of over two dozen shorts by seasoned indie stars (Vince Collins, Emily Hubley), current filmmakers (Kirsten Lepore, Takeshi Murata, Devin Flynn, Allison Schulnik, Galen Pehrson, Amy Lockhart, Matt & Paul Layzell, Garrett Davis, Charles Huettner, Caleb Wood, Alex Schubert) and next-wavers (Peter Millard, Sean Buckelew, Quique Rivera Rivera.)
Chris Renaud (above, left) and Pierre Coffin are the directorial duo responsible for one of the biggest animated phenomenons of recent …