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Three brothers embark on an awkward medical journey that blends dry humor, fragile masculinity, and handcrafted animation into a moving viewing experience.
The surreal sci-fi musical’s first trailer reveals Atallah’s hallucinatory blend of stop-motion, mixed-media animation, and cosmic sonic unrest.
Szkiłądź’s ‘Autokar’ turns a child’s unaccompanied 1990s migration by bus from Poland to Belgium into a magical-realist journey of self-discovery.
‘Gigi’ follows a transgender woman’s poetic journey of self-discovery through metaphors of water, mermaids, and transformation.
Director Tomás Pichardo Espaillat speaks about his bigscreen accomplishment and how he turned limitations, like a lack of animators in his country, into an opportunity to experiment creatively.
On this week’s livestream, we’re joined by Luce Grosjean, co-founder and CEO of French company Miyu Distribution.
Kantor mixes live-action footage with 2d computer animation, acrylic on paper, photography, and rotoscope to examine how we perceive memory.
Run by Miyu Distribution, the channel features dozens of striking festival films, including award winners and Oscar nominees.
Bonus: You get an all-expenses-paid trip to the south of France.
Events include a recruitment session for Oregon’s Laika studio and individual consultations with industry experts.
Dinosaurs collide with cavemen, Adam with aliens, in this zany send-up of creation myths.
The spread of the coronavirus has raised a fundamental question: What makes a festival a festival?
On Friday at Animateka festival, distributor Luce Grosjean called on festival directors to crack down on sexual harassment. Watch her speech here.
The film, by students from France’s École des Nouvelles Images, beat two other nominees in the awards’ third edition.