The computer graphics and interactive conference is shaking things up in the vr space.
Digital actors are again in the spotlight, with a cg Hugh Jackman and another character made for key scenes in ‘Logan.’
Made in America with Chinese money, does “Rock Dog” represent a future for animated features?
How Chris McKay immersed himself in the world of Batman for the latest Lego adventure.
Five-time-Academy Award winner Ken Ralston offers his thoughts on past projects and the future of vfx.
This year’s Oscar-nominated vfx supervisors name their toughest shots—and they’re not all what you might think.
Is feature quality possible in a tv series? Rodrigo Blaas tried to find out with Dreamworks’ new hit “Trollhunters.”
A European cg series “My Knight and Me” makes it to the U.S. shores via Cartoon Network.
How Blue Sky’s Chris Wedge went from animation to live-action for ‘Monster Trucks’.
Glassworks, Headless Productions, and MPC collaborated to create the stunning visual landscape in “A Monster Calls,” opening wide in the U.S. today.