Made in America with Chinese money, does “Rock Dog” represent a future for animated features?
How Chris McKay immersed himself in the world of Batman for the latest Lego adventure.
Five-time-Academy Award winner Ken Ralston offers his thoughts on past projects and the future of vfx.
This year’s Oscar-nominated vfx supervisors name their toughest shots—and they’re not all what you might think.
Is feature quality possible in a tv series? Rodrigo Blaas tried to find out with Dreamworks’ new hit “Trollhunters.”
A European cg series “My Knight and Me” makes it to the U.S. shores via Cartoon Network.
How Blue Sky’s Chris Wedge went from animation to live-action for ‘Monster Trucks’.
Glassworks, Headless Productions, and MPC collaborated to create the stunning visual landscape in “A Monster Calls,” opening wide in the U.S. today.
Independent cg animation is rare in India. Filmmaker Ishan Shukla is trying to change that.
Cinesite used vfx to craft a dramatic carriage chase that has a practical feel in the new ‘Assassin’s Creed.’