Oats Studios isn’t just creating fresh new content, they’re creating a fresh and new approach to the process of making vfx-driven films.
Director Patty Jenkins “always couched the visual effects in emotions,” the film’s vfx supervisor Bill Westenhofer tells Cartoon Brew.
The writer and co-director of “A Stork’s Journey” shares the ups and downs of making an indie animated feature across four European countries.
A new tool automates the tedious task of secondary animation, like cloth and hair.
MPC made Captain Salazar appear underwater, even when he wasn’t.
Ricky Gervais is voicing a cat in Bron Animation’s upcoming cg feature based on the book by Lois Lowry.
Already a hub for vfx, animation and games, Vancouver now has a new mo-cap studio.
The Dallas-based independent commercial studio has released a three-minute teaser that combines 2d and 3d animation styles, and complex fluid simulations.
Behind the scenes of Ridley Scott’s newest “Alien” film, with before and after image breakdowns.
Limitless, made up of Pixar and Bungie alumni, is aiming for high-end – and interactive – characters in vr.