Tom Kane, Prolific Voice Actor Behind Yoda, HIM, And Professor Utonium, Dies At 64
Across animation, games, and TV, Kane brought gravity, warmth, and theatrical precision to hundreds of unforgettable roles over more than three decades.
Across animation, games, and TV, Kane brought gravity, warmth, and theatrical precision to hundreds of unforgettable roles over more than three decades.
Head of creative strategy Zach McCann explains why Bleacher Report is expanding its sports animation slate as anime, memes, and athlete fandoms converge.
Phuong Mai Nguyen’s animated feature debut, based on AJ Dungo’s graphic memoir of the same name, becomes a major early festival pickup.
Hasbro’s 40th anniversary re-release brings the 1986 animated cult classic back to cinemas for a limited theatrical run from Fathom Entertainment.
The creative leads discuss the design rules, Titmouse pipeline, and grown-up relationship themes behind their return to adult animation.
The Berlinale-premiering hybrid feature blends 2D animation and live-action to portray a lonely janitor’s virtual escape from a dying film industry.
Producer Fabian Driehorst discusses the film’s financing push, hybrid production style, and growing support from major actors and broadcasters.
New Netflix job postings outline plans for AI-driven animated shorts, full pipeline integration, and feature-quality output.
Created in the wake of Newplast’s shutdown, the wax-based material was developed with studio input for sculpting, molds, and durability over longer shoots.
The companies’ shared portfolio now includes ‘Vampire Family,’ ‘The Wolf & Red Riding Hood,’ ‘Snow and Briar (And the Mirror of Seven Sins),’ and ‘Sable Curse.’
Braly discusses financing, AI concerns, Annecy plans, and why the resurrected project needs a radically new visual approach, something he’s very excited to do.
Oval Gear is now open in Tokyo with staff recruitment underway and a new animated feature already moving through production.
We’ve finally got a significant look at one of the most anticipated and ambitious feature releases of the year, coming to cinemas on October 23.
Antonis and Stavros Fylladitis discuss mythology, creating an original indie universe, and shaking the stigma around game engine-produced shorts.
The ‘A Bite of Bone’ director returns with a queer unrequited love story on a dairy farm that will debut in Directors’ Fortnight, eligible for the Queer Palm.
The Vancouver CG studio and Canadian Animation Guild have reached a tentative agreement covering more than 800 employees.
Kuzovkov has regained creative control of the global hit franchise, one of the most-viewed in YouTube history, and launched Studio MiM.
After the YouTube takedown, Philly’s Marie Hart and Peter Heacock stepped in front of the lens alongside their puppet and watched tens of millions tune in.
Glitch Productions and Fathom have doubled the film’s theatrical footprint as demand grows for the feature-length finale to the viral indie web series.
The ‘Our Uniform’ director shares a first look at ‘Our Body Language,’ a dialogue-free project combining clay and 2D animation.