Expanded ‘Disney Afternoon Collection’ Of ’80s And ’90s Console Favorites Is Heading To Switch And Switch 2
Expanding on the 2017 console collection and bringing it to handheld devices, this new 8-pack is bonkers, yeah, totally nuts.
Expanding on the 2017 console collection and bringing it to handheld devices, this new 8-pack is bonkers, yeah, totally nuts.
Atomic’s leadership will remain in place to lead Blue Ant’s animation division, expanding the company’s production scale and global reach.
A look back at the Oscar-nominated short and the innovative artistry of Chris Lavis and Maciek Szczerbowski, directors of ‘The Girl Who Cried Pearls.’
The streamer pledged at least €240,000/year, reinforcing Blender’s position as a professional, open-source tool for high-end animation pipelines.
‘Bluey’ was the year’s most watched anything, ‘KPop Demon Hunters’ took the top film prize, and Seth MacFarlane won Streaming Icon of the Year.
The former Paramount and Nickelodeon executive has launched a digital-first kids and family studio, blending YouTube incubation with a Sony theatrical deal.
After taking time to finish her graphic novel ‘Raise the Bar,’ formerly a series project at Netflix, Frick returns to animation with the stop-motion teaser.
Mattel and Hasbro unveil expansive toy lines tied to Netflix and Sony’s animated hit in a merchandise push that arrived long after the film broke out.
Olin will work to shape creative strategies and supporting ongoing productions behind series such as ‘Big City Greens’ and ‘Phineas and Ferb.’
A 2026 lineup blending new originals and updates to legacy franchises underscores how Netflix views anime as both cultural export and business engine.
TCM will showcase classic theatrical shorts in curated programming, restoring visibility and providing historical context to Warner Bros.’ iconic cartoons.
The Aussie super-indie made its third major announcement in less than a year, after boarding ‘Lackadaisy’ and launching ‘Knights of Guinevere.’
Toei Animation marks Dragon Ball’s 40th anniversary with a new ‘Galactic Patrol’ anime and an enhanced ‘Dragon Ball Super: Beerus’ revival.
Konstantin Bronzit explains why ‘The Three Sisters’ was submitted under a false name and country, turning his Oscar-nominated short into a test of bias.
Industry leaders discuss how games expand into animation, film, and TV, with insights on audience participation, world-building, and cross-platform strategy.
Under the new deal, the two companies will co-develop a slate of projects which will be exclusively distributed by Netflix globally.
Premiering next week at Rotterdam, the CG short pseudo-doc marks the debut original short from Laser Days filmmakers Jack Wedge and Will Freudenheim.
Caballero discusses hybrid animation, miniature sets, and rotoscoped performance in a deeply personal documentary shaped by family memory and grief.
Ryo Orikasa discusses how he transforms literature, poetry, and written language into animated form through text, sound, and silence.
SDCC’s Art Show, a gallery-style showcase hosted in a nearby hotel, will no longer allow the exhibition of work created by AI, “either partially or wholly.”
Oscar nominations revealed a risk-averse animated feature lineup, an unpredictable shorts race, and animation again ignored outside its own categories.