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Stitched Into Motion: Bea Lema Brings Embroidery To Animation In ‘El Cuerpo De Cristo’
Lema’s animated short adapts her graphic novel using embroidered sets and bespoke 2D animation to tell a story about mental illness and family memory.
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‘Here’s The Plan’ Director Fernanda Frick Returns To Animation With ‘Last Journey’ Teaser (EXCLUSIVE)
After taking time to finish her graphic novel 'Raise the Bar,' formerly a series project at Netflix, Frick returns to animation with the stop-motion teaser.
Stains On Silence – Ryo Orikasa’s Animation Word Plays
Ryo Orikasa discusses how he transforms literature, poetry, and written language into animated form through text, sound, and silence.
No Surprises Among This Year’s Animated Feature Nominees As Predictable Front-Runners Dominate
Oscar nominations revealed a risk-averse animated feature lineup, an unpredictable shorts race, and animation again ignored outside its own categories.
‘Animation Mavericks’ Feature Documentary Brings UPA’s Untold Story To The Screen
The upcoming documentary examines the artists, politics, and risks behind the studio that broke away from Disney's industry-dominant realism.
Savva Tsekmes Channels Gene Wilder’s Psychedelic Willy Wonka Boat Ride In Environmental Short ‘Home Again’
Melbourne-based animator Savva Tsekmes channels Gene Wilder’s iconic Willy Wonka boat monologue into a haunting, self-produced environmental short.
Oscar Shortlist Interviews: Director Matteo Burani’s Favorite Shot From ‘Playing God’ (EXCLUSIVE)
Featuring a carefully animated fall where a clay figure loses its identity in a state between death and rebirth, the clip embodies the film’s emotional core.
Oscar Shortlist Interviews: Director John Kelly’s Favorite Shot From ‘Retirement Plan’ (EXCLUSIVE)
Kelly shares a playful scene that precipitates a drop in tone, and the one retirement dream that he shares with its protagonist, Ray.
Oscar Shortlist Interviews: Director James A. Castillo’s Favorite Shot From ‘The Quinta’s Ghost’ (EXCLUSIVE)
The turning point scene shows Goya realize that his past and his madness are inescapable, yet he continues painting as the audience watches in helpless silence.
See The First Piece Of Concept Artwork From Each Of This Year’s 15 Oscar Shortlisted Animated Shorts (Exclusive)
We asked the filmmakers of all 15 shortlisted shorts to send us the first piece of artwork they created for their films and to explain what inspired the look.
Remembering The Animated Universes Of Con Pederson (1934–2026)
Pederson, credited as special photographic effects supervisor on '2001: A Space Odyssey,' leaves an incredible legacy of animation and FX work.
Oscar Shortlist Interviews: ‘The Shyness Of Trees’ Directors On Their Favorite Shot (EXCLUSIVE)
The film's emotional climax was also one of its most technically challenging, combining a moving camera, animated background, and emotional performance.
Oscar Shortlist Interviews: Directors Nathan Engelhardt And Jeremy Spears Favorite Shot From ‘Forevergreen’ (EXCLUSIVE)
In two seconds, the film’s heart is revealed as an undeserving adopted prodigal son receives a selfless act of grace, sacrifice, and hope.
Oscar Shortlist Interviews: Director Pierre-Luc Granjon’s Favorite Shot From ‘The Night Boots’ (EXCLUSIVE)
The Annecy-winning explains how meticulous pinscreen animation was used to create the woodland adventure's coziest shot.
Oscar Shortlist Interviews: Director Giovanna Ferrari’s Favorite Shot From ‘Éiru’ (EXCLUSIVE)
Split framing, shifting scale, and sound place the audience inside Éiru’s disorientation, collapsing time and space as her torch light fades.
Oscar Shortlist Interviews: Directors Chris Lavis And Maciek Szczerbowski’s Favorite Shot From ‘The Girl Who Cried Pearls’ (EXCLUSIVE)
The give a behind-the-scenes explanation of the pivotal shot where story, music, and performance align to create cinematic "sorcery."
Oscar Shortlist Interviews: Director Anastasiia Falileieva’s Favorite Shot From ‘I Died In Irpin’ (EXCLUSIVE)
Falileieva talks about building the entire film around this one shot, imagined just two days after she escaped the Russian attack on Ukraine.
‘Dog Alone’: A Deeply Personal Short From BAP, One Of Portugal’s Most Distinctive Animation Studios
An interview with director Marta Reis Andrade exploring BAP Studio’s hybrid documentary style, family voices, memory, and magical realism.
Oscar Shortlist Interviews: Director Konstantin Bronzit On His Favorite Shot From ‘The Three Sisters’ (EXCLUSIVE)
Bronzit explains why the opening shot from 'The Three Sisters' is his favorite, and what he teaches aspiring animators about kicking off a film.
Opinion: And The Critics Choice Award For Animated Series Goes To… ‘South Park’?
'KPop Demon Hunters' wins made sense, but ambitious shows like 'Common Side Effects' or 'Long Story Short' seemed more deserving of best animated series.
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