How To Make A Short Film Using Quill: An Animator’s Guide To The VR Software
Zeyu Ren explains how he thinks Quill could benefit all animators working in 3d.
Zeyu Ren explains how he thinks Quill could benefit all animators working in 3d.
The director and production designer of Netflix's latest animated feature talk about their creative approach and influences, from "Citizen Kane" to bats in toilets.
Music video for Jo Goes Hunting's "Careful."
Adam Habib and Sharon Calahan reveal their approach to emulating live-action cinematography in "Onward."
The storyboarding process was developed by animation artists, but it's the live-action feature "Parasite" that will get its storyboards published as a graphic novel.
We speak to director Dean DeBlois and head of character animation Simon Otto about the Oscar-nominated "How to Train Your Dragon: The Hidden World."
The artists behind the Oscar frontrunner have described their creative process in a range of interviews. We've compiled their most insightful comments.
GLAS has unveiled a slate of distinguished guests for its 5th edition.
The "Family Guy" creator had been at Fox since 1999. Reportedly, none of his projects for NBCUniversal so far are animated.
New York studio Thinko believes that its Mr. Puppet Animation System could change animation production.
When it comes to making icy peaks look real, the landscape team took pains to get it right.
Shorter festival windows, easy access to digital production tools, and uninhibited explorations of sexuality are just some of the recent developments in the world of animated shorts.
Nelson Lowry explains how he harnessed the studio's unique capabilities for its latest feature.
Director Jérémy Clapin walks us through the making of his new feature "I Lost My Body."
The artists behind the sequel have described their creative process in a range of interviews. We've compiled their most intriguing comments.
We spoke to the artists and developers behind "Later Alligator," "Knights and Bikes," and "River City Girls" about their games' stylized visuals.
A director talks us through the ups and downs of making a low-budget cg animated feature.
For his new film, acclaimed animator Theodore Ushev adopted a style of painting pioneered by Egyptians thousands of years ago.
The film, by Japanese artist Ujicha, is made with a lo-fi cutout technique known as "gekimation." It will be available for streaming on October 21.
A new way of looking at Hong Kong through animation…