The Animation That Changed Me: Jérémy Clapin on ‘When The Day Breaks’
"I wasn’t sure what the film was about," says Clapin, "and that hardly mattered to me."
"I wasn’t sure what the film was about," says Clapin, "and that hardly mattered to me."
Dinosaurs collide with cavemen, Adam with aliens, in this zany send-up of creation myths.
Matt Watts talks about an important and often overlooked part of the 2D animation process: character rigging.
Marcell Jankovics's heady masterpiece is coming out on VOD in North America. We hear from those who restored it.
Christopher Nolan tends to favor practical over visual effects — even when it comes to blowing up a plane.
Portuguese filmmaker Abi Feijó believes children should do more than just watch animation; they should also learn how to bring their own stories to life. And he's been teaching kids how to create animated films for over 30 years.
Gonzalo Azpiri of Hookup Animation explains how he used the new release of Toon Boom Harmony 20 to create a mixed-media animation sequence.
Completists beware: The set is missing over 100 classic Bugs Bunny theatrical shorts.
In this new series, leading filmmakers and artists discuss works of animation that have had a formative influence on them.
The teams behind three projects pitched at Annecy's MIFA market tell us what was gained — and lost — in the shift to virtual pitching.
Learn to take criticism. Don't assume you'll learn much at school. And always think of the nose…
The final panel of Cartoon Saloon's “Irish folklore triptych” is almost here.
The renowned filmmaker produced his latest short at home, in six days, with no money.
We speak to the renowned filmmaker ahead of the Annecy premiere of his autobiographical new film "Altötting."
Industry artists are tired of pay secrecy and are sharing their salaries on social media.
Ghibli's former international chief recounts colorful anecdotes about Hayao Miyazaki, Harvey Weinstein, Martin Scorsese, and others.
Sowl's Solomon W. Jagwe explains how he harnesses iClone and Perception Neuron to animate his show.
Arturo "Vonno" Ambriz tells Cartoon Brew about making a stop-motion epic with little money and no prior experience.
Zeyu Ren explains how he thinks Quill could benefit all animators working in 3d.
The director and production designer of Netflix's latest animated feature talk about their creative approach and influences, from "Citizen Kane" to bats in toilets.