DreamWorks Animation selects Houdini as Platform of Choice for Visual and Character Effects
TORONTO – August 9, 2011- Side Effects Software Inc. today announced that DreamWorks Animation SKG, Inc. (Nasdaq: DWA) has procured a …
TORONTO – August 9, 2011- Side Effects Software Inc. today announced that DreamWorks Animation SKG, Inc. (Nasdaq: DWA) has procured a …
Oscar-winning Sacrebleu producer Ron Dyens backs the ambitious 2D feature, blending space opera, philosophy, and classic French animation influences.
The event’s failure to edit out a shouted racial slur stood in stark contrast to a touching film about Black love and self-acceptance winning a top prize.
From browser tools to iPad loops, the digital animator explains how rhythm, limitation, and daily practice shaped his uplifting viral work.
"Honestly, f**k AI": Bonne Animation launches with an era-appropriate philosophy rooted in human craft, global collaboration, and handmade 2D animation.
Lema’s animated short adapts her graphic novel using embroidered sets and bespoke 2D animation to tell a story about mental illness and family memory.
Ryo Orikasa discusses how he transforms literature, poetry, and written language into animated form through text, sound, and silence.
The program offers live, virtual feedback from industry professionals to early-career women and nonbinary artists across animation, VFX, and games.
The upcoming documentary examines the artists, politics, and risks behind the studio that broke away from Disney's industry-dominant realism.
An interview with director Marta Reis Andrade exploring BAP Studio’s hybrid documentary style, family voices, memory, and magical realism.
Jeff Kinney explores the challenges and rewards of translating 'Wimpy Kid' into CG and why animation continues to expand the franchise’s creative frontiers.
Reliance is currently developing the animated series, which will explore Maradona's rise, impact, and complicated legacy on and off the pitch.
Explore the groundbreaking experiments and innovations in computer animation that paved the way for Pixar’s 'Toy Story,' released 30 years ago this weekend.
Wild Child Animation details the innovative Unreal Engine pipeline and hybrid 2D/CG techniques used to bring the new series 'Piripenguins' to life.
A pioneering force in hand-drawn effects and an accomplished writer and educator, Gilland leaves a lasting impact on artists across the industry.
The director explains how childhood anxieties, dream journals, and a unified design language informed the film’s surreal yet cohesive aesthetic.
Chicago-based animator Sarah Schmidt proves mainstream animation doesn't have to come from Hollywood with her Adult Swim 'Gassy's Gas ‘N Stuff' shorts.
Mike Johnson discusses how 'Corpse Bride' reshaped stop-motion, proving the medium could match CG in fluidity and ambition while keeping to its handcrafted roots.
Juries at the L.A.-based Annecy counterpart also acknowledged Alberto Vazquez's 'Decorado' and Giovanni Ferrari's 'Éiru.' The Audience favored 'Arco.'
Director Kenji Iwaisawa talks about his new film '100 Meters,' touching up his cult hit 'On-Gaku: Our Sound,' and what he's working on next.