‘Captain Marvel’ Flies High With $456 Million Worldwide Debut
"Captain Marvel" had the sixth-biggest worldwide opening in history, and the second highest debut for a Marvel movie.
"Captain Marvel" had the sixth-biggest worldwide opening in history, and the second highest debut for a Marvel movie.
Director Jeremy Clapin and producer Marc du Pontavice give Cartoon Brew an exclusive first look at one of the year's most original animated features, "I Lost My Body."
It’s breakdown season - here’s our guide to some of the best making of clips, reels, and behind-the-scenes featurettes.
Having been at the helm of all three "How to Train Your Dragon" films, DeBlois has witnessed major changes in editorial processes, effects, and rendering.
What's ahead in vfx for 2019: a look at the upcoming superhero films, sequels, and live-action adaptations of animated classics and video games.
The filmmakers of "Welcome to Marwen" came up with an innovative and cost-effective technique to create its miniature doll characters.
In the second part of this exclusive series, we explore the production design of "Animal Behaviour," "Bird Karma," "Late Afternoon," "Grandpa Walrus," and "Weekends."
The director of "Tito and the Birds" speaks with Cartoon Brew about his film about the “disease of fear,” a condition that turns people into zombie-like creatures.
"I don’t approach production design from the standpoint of style; I approach it from the standpoint of character," says "Spider-Man: Into the Spider-Verse" production designer Justin K. Thompson.
Why Imageworks had to 'break' their animation and VFX pipeline to make "Spider-Man: Into The Spider-Verse."
Titmouse's Chris Prynoski is the 2018 festival honoree.
Japanese auteur Mamoru Hosoda sits down with Cartoon Brew for an extensive talk about his latest film "Mirai," opening this week in the United States.
The cause of the death was the neurodegenerative disease ALS.
Cartoon Brew makes sense of the virtual production phenomenon, and provides resources that filmmakers can use to start experimenting with virtual production techniques.
Netflix is shaking up the animation industry in a big way. Here a look at the studio's upcoming projects.
We invited industry pros to tell Cartoon Brew readers what's inspiring them right now.
An experimental Chilean horror fairy tale based on a real-life child-abusing Nazi cult leader barely begins to describe "La Casa Lobo."
A lot of people in Hollywood can't wait to work with John Lasseter.
Venom’s many forms and many states meant vfx artists had a lot of problems to solve.
An oral history of PDI's tech behind the making of "Antz," which is celebrating its 20th anniversary.