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Tim Reckart Will Direct Faith-Based ‘The Lamb’ for Sony
An all-animal retelling of the Christian Nativity story has risen this Easter Weekend.
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‘Harvey Beaks’ Creator C.H. Greenblatt on How to Break Into The Biz and Why Artists Should Post on Tumblr
C.H. Greenblatt, creator of the animated series "Chowder," is back with a new series, "Harvey Beaks," that premieres this Sunday on Nickelodeon.
California Raisins Set For Comeback In Live-Action/CG Feature (Exclusive)
We heard it through the grapevine...the California Raisins are headed to the bigscreen!
‘Mouse in Transition’: The Trials of ‘Oliver & Company’ (Chapter 17)
Steve Hulett recounts his experiences working on "Oliver & Company" and the unexpected tragedy that happened during its production.
Nick is Developing A ‘SpongeBob’ Musical
A yellow sponge makes his bid for the bright lights of Broadway.
Will Someone Save PDI/DreamWorks’s Pirate Bar?
Now that PDI/DreamWorks is shutting down, who will save the studio's Pirate Bar?
‘Mouse in Transition’: A Gong Show with Eisner and Katzenberg (Chapter 16)
Steve Hulett remembers the time when Disney artists were told they were being moved to a warehouse off the lot, and the animation division's first "gong show" pitch session.
Jorge Gutierrez on ‘The Book of Life’ and Bringing Mexico to Hollywood
"Mexico is way more complicated than anybody thinks." Jorge Gutierrez talks like a man on a mission. For the past decade-and-a-half, he has sought to bring a more authentic portrayal of Mexico and its people to Hollywood.
Nick Believes Key To Success Is Developing In-House Talent
Nickelodeon has launched an in-house artist development program called the Artists Collective, aiming to reverse its fortunes and create culturally relevant shows that rival those of competitors Cartoon Network and Disney.
‘Mouse in Transition’: The Arrival of Jeffrey Katzenberg (Chapter 15)
Michael Eisner lounged his six-foot-four frame in a conference room chair. He was wearing jeans and sweatshirt, but why not? It was a Saturday morning.
‘Mouse in Transition’: “Call Us Mike and Frank” (Chapter 14)
Walt Disney Productions changed forever when two guys named Mike and Frank showed up.
‘Mouse in Transition’: Disney Dead-Ends and Lucrative Mexican Caterpillars (Chapter 12)
Steve Hulett on everything from "Winnie the Pooh and a Day for Eeyore" to "Katy Caterpillar."
‘Blue Umbrella’ Director Saschka Unseld Joins Passion NY
Saschka Unseld, who conceived and directed the Pixar short "The Blue Umbrella," has moved to the East Coast to become the creative director of Passion New York,
Mondo Announces Feature Film Plans for ‘Happy Tree Friends,’ ‘Dick Figures’ and ‘Deep Space 69’
Mondo Media may be expanding their brand into the kid-friendly market, but that doesn’t mean they’re neglecting their adult-oriented successes.
Traditionally-Animated ‘Cloudy With A Chance Of Meatballs’ Series in Development
Halifax, Canada-based media company DHX Media has signed a deal with Sony Pictures Animation to adapt "Cloudy with a Chance of Meatballs" into a "traditionally-animated" TV series.
Pen Ward Quit ‘Adventure Time’ Because It Was Driving Him Nuts
There's a startling revelation in a new "Rolling Stone" piece about Cartoon Network's hit series "Adventure Time": creator Pen Ward hasn't been running his show since sometime during season 5.
Chester Cheetah Redesigned For ‘Book of Life’-Themed Spot [UPDATED]
Chester Cheetah enters the world of the new animated feature "The Book of Life."
New Job Openings at Google Doodles, Gumball, Moonbot, Moving Colour and Nick
Are you hunting for a great animation job? The Cartoon Brew Job Board is the ideal place to look for your next gig.
Mexico’s Biggest-Ever Animation Industry Event, Festival by Pixelatl, Begins Today
Festival by Pixelatl begins today in Cuernavaca, Mexico, in what promises to be the largest-ever animation industry event that has ever happened in Mexico.
Latvia Selects ‘Rocks in My Pockets’ As Foreign-Language Oscar Entry
The country of Latvia has selected Signe Baumane's "Rocks in My Pockets" as its entry for the best foreign-language category of the Oscars.
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