Welsch Poked Studio Bets On Original IP With Gritty Sci-Fi Short ‘Pokedbots – Delta City’
The Welsh studio’s first original IP blends dystopian world-building, lean production, and a digital-first approach to original CG animation.
The Welsh studio’s first original IP blends dystopian world-building, lean production, and a digital-first approach to original CG animation.
Lema’s animated short adapts her graphic novel using embroidered sets and bespoke 2D animation to tell a story about mental illness and family memory.
TCM will showcase classic theatrical shorts in curated programming, restoring visibility and providing historical context to Warner Bros.’ iconic cartoons.
Konstantin Bronzit explains why ‘The Three Sisters’ was submitted under a false name and country, turning his Oscar-nominated short into a test of bias.
Premiering next week at Rotterdam, the CG short pseudo-doc marks the debut original short from Laser Days filmmakers Jack Wedge and Will Freudenheim.
Ryo Orikasa discusses how he transforms literature, poetry, and written language into animated form through text, sound, and silence.
Oscar nominations revealed a risk-averse animated feature lineup, an unpredictable shorts race, and animation again ignored outside its own categories.
Melbourne-based animator Savva Tsekmes channels Gene Wilder’s iconic Willy Wonka boat monologue into a haunting, self-produced environmental short.
Featuring a carefully animated fall where a clay figure loses its identity in a state between death and rebirth, the clip embodies the film’s emotional core.
Kelly shares a playful scene that precipitates a drop in tone, and the one retirement dream that he shares with its protagonist, Ray.
The turning point scene shows Goya realize that his past and his madness are inescapable, yet he continues painting as the audience watches in helpless silence.
We asked the filmmakers of all 15 shortlisted shorts to send us the first piece of artwork they created for their films and to explain what inspired the look.
The film’s emotional climax was also one of its most technically challenging, combining a moving camera, animated background, and emotional performance.
In two seconds, the film’s heart is revealed as an undeserving adopted prodigal son receives a selfless act of grace, sacrifice, and hope.
The Annecy-winning explains how meticulous pinscreen animation was used to create the woodland adventure’s coziest shot.
Split framing, shifting scale, and sound place the audience inside Éiru’s disorientation, collapsing time and space as her torch light fades.
The give a behind-the-scenes explanation of the pivotal shot where story, music, and performance align to create cinematic “sorcery.”
Falileieva talks about building the entire film around this one shot, imagined just two days after she escaped the Russian attack on Ukraine.
An interview with director Marta Reis Andrade exploring BAP Studio’s hybrid documentary style, family voices, memory, and magical realism.
Bronzit explains why the opening shot from ‘The Three Sisters’ is his favorite, and what he teaches aspiring animators about kicking off a film.