‘The Boy and the Heron Crosses’ 5 Billion Yen Milestone In Japan, But Trails Other Miyazaki films
After four weeks, ‘The Boy and the Heron’ is tracking slightly behind Miyazaki’s last film, ‘The Wind Rises.’
From fully-animated features to vfx-driven live-action films, animation is an integral part of the theatrical marketplace today.
After four weeks, ‘The Boy and the Heron’ is tracking slightly behind Miyazaki’s last film, ‘The Wind Rises.’
The film had an impressive festival run over the past 14 months, winning honors at Annecy, Zagreb, and Fredrikstad.
Teenage Mutant Ninja Turtles: Mutant Mayhem hits theaters this weekend, and many of the artists who contributed to the film have been …
The latest Turtles flick looks to be on its way to a $40M+ opening five days.
Animated films and series proved again last week just how important they are to the streaming platform.
Plenty of directors promote their work on social media, but Rowe is calling out the artists who worked on ‘Mutant Mayhem’ by name.
We caught up with Gair ahead of the film’s North American premiere at at the Portland Festival of Cinema, Animation & Technology.
Critics are praising director Jeff Rowe for pushing aesthetic risks he first took when co-directing ‘The Mitchells vs. the Machines.’
“We are absolutely committed to making original animated films and are in development on a handful of projects,” said Naito.
2023’s biggest feature so far will get its streaming platform debut next month when Peacock debuts ‘The Super Mario Bros. Movie’ on August 3.
The September 7 opening night screening will mark the film’s international debut.
‘Ratatouille’ scribe Jim Capobianco makes his feature directorial debut with ‘The Inventor,’ which screen in the main competition at Annecy.
“We’re not going to release an expensive original animated movie and just pray people will come,” says Paramount Pictures CEO Brian Robbins.
Several big studios may have skipped this year’s Con, but there was still plenty of exciting animation news coming out of San Diego.
The sequel to 2014 Oscar nominee ‘Ernest & Celestine’ will hit select North American cinemas on September 1.
VFX workers get screwed by Hollywood yet again.
The film, adapted from the Epic of King Gesar, will get a U.S. theatrical run starting on August 25.
Illumination’s got their ducks in a row with their latest title, ‘Migration.’
The period drama is expected to premiere later this year.
This year’s box office has proved unpredictable, but animation is flourishing in the world’s biggest markets.