The directors of the Annie Award-nominated feature film “This Magnificent Cake!” spoke with Cartoon Brew about their one-of-a-kind stop-motion project.
Previously on Cartoon Brew
“We need to get stronger both emotionally and physically,” says Women in Animation president Marge Dean. “We need to not be afraid.”
What does it take to start a career in the animation industry? Vancouver Film School’s Creative Portfolio Development Session is here to help you out.
The festival returns to Berkeley, California in March.
The filmmakers of “Welcome to Marwen” came up with an innovative and cost-effective technique to create its miniature doll characters.
Working for the Walt Disney Company is a sweet gig — if you’re running the joint.
Show co-creator Eric Robles says the series is not cancelled.
Mickey Mouse is getting a museum retrospective for his 90th birthday.
The program is described as “an experimental storytelling initiative that welcomes new creative voices at Pixar Animation Studios to share their stories.”
Skydance executives are apparently unsure of John Lasseter’s ability to keep his hands, mouth, and other body parts to himself.
As we head into 2019, the School of Visual Arts in New York City offers a sneak peek at some of its outstanding in-progress thesis projects.
Paramount Animation just became the new home of John Lasseter’s films and they’re not happy about it.
John Lasseter is an alleged serial sexual predator, and that should raise concerns for women working at Skydance.
PAY ATTENTION TO THESE FILMS!
Cohn will oversee both film and television animation at Dreamworks.
Skydance Animation’s hiring of John Lasseter “endorses and perpetuates a broken system that allows powerful men to act without consequence.”
For the first time in his legendary animation career, British filmmaker Nick Park has missed out on a BAFTA nomination.
Grand prize winner at Animafest Zagreb 2018 and best non-narrative animation at Ottawa 2018, “La Chute” is now online.
In the second part of this exclusive series, we explore the production design of “Animal Behaviour,” “Bird Karma,” “Late Afternoon,” “Grandpa Walrus,” and “Weekends.”
In the first of a two-part series, we explore the production design of “Age of Sail,” “Bao,” “Bilby,” “Lost & Found,” and “One Small Step.”