For Latin American Creators, It’s About Telling Stories That Matter To Them
The challenge for Latin American creators: telling stories about subjects and themes particular to their identity, without sacrificing broad global appeal.
The challenge for Latin American creators: telling stories about subjects and themes particular to their identity, without sacrificing broad global appeal.
The Stuttgart vfx and animation conference is not far away - here’s our guide to making the most of the event.
“There are no experts in virtual reality," says Corentin Lambot. "If someone says they are one, don’t believe them."
Adam Fisher, veteran stop motion animator and Assistant Professor of Animation and Game Art at Maine College of Art, offers these tips for strengthening character animation performances.
Having been at the helm of all three "How to Train Your Dragon" films, DeBlois has witnessed major changes in editorial processes, effects, and rendering.
Miller created profitable divisions of the company including Walt Disney Home Video, Touchstone Pictures, and The Disney Channel.
Formerly Studio Pascal Blais, Tonic DNA sets a new course for its future, including more long-form projects.
Lighthouse, a joint venture between Mercury Filmworks and Cartoon Saloon, continues to grow in Kilkenny, Ireland.
A new app turns iPhones into virtual cameras for cg production.
What's ahead in vfx for 2019: a look at the upcoming superhero films, sequels, and live-action adaptations of animated classics and video games.
The program is described as "an experimental storytelling initiative that welcomes new creative voices at Pixar Animation Studios to share their stories."
As we head into 2019, the School of Visual Arts in New York City offers a sneak peek at some of its outstanding in-progress thesis projects.
Skydance Animation's hiring of John Lasseter "endorses and perpetuates a broken system that allows powerful men to act without consequence."
In the first of a two-part series, we explore the production design of "Age of Sail," "Bao," "Bilby," "Lost & Found," and "One Small Step."
It's a new day in animation!
Hanazuki started out as a personal idea before becoming an international character brand.
The director of "Tito and the Birds" speaks with Cartoon Brew about his film about the “disease of fear,” a condition that turns people into zombie-like creatures.
The audience's read on a character is "so influenced by how their hair looks," says ILM vfx supervisor Jeff White.
"I don’t approach production design from the standpoint of style; I approach it from the standpoint of character," says "Spider-Man: Into the Spider-Verse" production designer Justin K. Thompson.