‘Iyanu’ Creator Roye Okupe Hails The Arrival Of ‘Afro-Anime’ As A Global Force
Okupe discusses bringing together African culture, anime-inspired aesthetics, and contemporary Afrobeats: 'Literally no one has done it.'
Okupe discusses bringing together African culture, anime-inspired aesthetics, and contemporary Afrobeats: 'Literally no one has done it.'
From browser tools to iPad loops, the digital animator explains how rhythm, limitation, and daily practice shaped his uplifting viral work.
Olin will work to shape creative strategies and supporting ongoing productions behind series such as 'Big City Greens' and 'Phineas and Ferb.'
Tartakovsky breaks down the creative shift toward a more intimate story focused on memory, identity, and character-driven action.
Director Julian Glander unpacks the visual design, storytelling choices, and Blender DIY animation methods behind a defining scene in 'Boys Go to Jupiter.'
Koike discusses bringing intensity, style, and motion to Lupin’s world, and why collaboration drives his boundary-pushing anime vision.
Discover how DreamWorks reimagined 'Gabby’s Dollhouse' with richer textures, tactile details, smart scaling, and feature-level animation.
The 36th Cartoon Forum in Toulouse hosts 75 new animated series from 20 countries, highlighting co-productions, diversity, and new IPs.
Julian Glander’s debut feature, 'Boys Go to Jupiter,' blends surreal CG animation, Gen Z humor, and DIY production into a one-of-a-kind indie film.
Defying streaming norms, Netflix’s 'KPop Demon Hunters' is gaining steam weeks after release, topping charts globally with its music, animation, and fandom power.
Cuts to PBS Kids could drastically alter the U.S. animation landscape, disrupt children’s educational shows, and impact small studios nationwide.
Cartoon Brew has an exclusive look inside Cosmic Dino's new facilities where the 'Bluey' movie will be made.
Nasrabadi is taking on a key role at Netflix's feature animation division, which currently employs 900 people across studios in Burbank, Vancouver, and Sydney.
Barbie, Chester Cheetah, and Cocomelon have all been brought to life using the company's production pipeline.
In this exclusive series, the filmmakers behind each of this year's Oscar-shortlisted shorts reveal their favorite shots.
"'Blue Lock' is all about the mentality of becoming the very best, and that’s the mindset I’ve always had in music," said Shao Dow of the video's message.
Get ready to have your eyes pop out of your skull, because today we’re taking a look at some of the great wild takes throughout animation history.
Watch our Short Pick of the Day.
Oscar-nominated director Timothy Reckart is a co-founder of the studio.
Studio Ponoc founder Yoshiaki Nishimura says that 'The Imaginary' gave the studio a chance to move outside of its storytelling comfort zone, as well as push the look of their animation.