The Plot Sickens (1961)
Man, those guys at Famous must have really hated their wives. By popular demand, I am posting the 1961 Modern Madcap cartoon, The Plot …
Man, those guys at Famous must have really hated their wives. By popular demand, I am posting the 1961 Modern Madcap cartoon, The Plot …
French animator Michel Ocelot (Kirikou And The Sorceress) will be visiting the San Francisco Bay Area this week to attend the opening of …
Looks like Betty Boop has returned to her pre-Code roots… gambling! Dave Filipi (Film Curator of Wexner Center for the Arts in …
Lou Romano (The Incredibles, Powerpuff Girls) recently had his own personal drawing jam where he made dozens of sketches and then painted …
Comic book and animation artist Kyle Baker was recently interviewed in Mike Manley’s excellent DRAW! magazine, and Mark Mayerson posted …
Cartoon Network’s pilot for a new PLASTIC MAN series has found its way to MySpace Videos and YouTube. The show wasn’t picked up so this …
I’ve been excited about the next film from Chris Sanders (LILO & STITCH) ever since I saw the first examples of concept art, but after …
More than a dozen 700 pound statues of Mickey Mouse will soon appear in Portland, Oregon, as part of a year long Disney Company …
Director Haruo Sotozaki and DP Yûichi Terao discuss global success, creative pressure, fandom expectations, and shaping the franchise's final chapter.
From story structure to CG textures, Derek Drymon and the Reel FX animation team detail how SpongeBob’s theatrical DNA was preserved and expanded.
McHale and Ward discuss the guts of their three-act special, creating in isolation, and embracing non-canon storytelling, creative risk, and collaboration.
Norway's Animasjonsdepartementet and Sweden's Brikk Animation used Don Bluth-era nostalgia and heartbreak to deliver an important anti-waste Christmas PSA.
A craft-focused conversation on visual storytelling, unconventional workflows, and preserving a singular creative voice while making an animated film.
Jeff Kinney explores the challenges and rewards of translating 'Wimpy Kid' into CG and why animation continues to expand the franchise’s creative frontiers.
Director Julian Glander unpacks the visual design, storytelling choices, and Blender DIY animation methods behind a defining scene in 'Boys Go to Jupiter.'
Castillo discusses the film's horror roots, innovative technological pipeline, and adapting the aesthetic of Francisco de Goya's Black Paintings in animation.
Cartoon Network vet Moynihan delivers a surreal tale of rebirth and existential dread, blending sacred imagery with lo-fi aesthetics.N
Fresh footage teases the differing styles behind all three acts of the special, underscoring the unpredictable nature of this creator-driven project.
Director Seth Scriver on blending family memories, character design, and psychedelic stories in his genre-bending film, in theaters this weekend, VOD on the 16.
Ukrainian director Anastasiia Falileieva discusses 'I Died in Irpin,' her autobiographical documentary short on war, trauma, and resilience.