‘Toy Story 4’ Could Launch With $160-200 Million
Despite a bumpy production history, Pixar has delivered a crowd-pleaser with the fourth installment of "Toy Story."
Despite a bumpy production history, Pixar has delivered a crowd-pleaser with the fourth installment of "Toy Story."
An unprecedented amount of data and analysis about the lack of opportunities for women in the Los Angeles animation industry.
Gints Zilbalodis' unconventional animated feature is screening in competition at both Zagreb Animafest and Annecy.
Mark May 30th on your calendars!
The short film from Baobab Studios picked up four honors at the Daytime Creative Arts Emmy Awards.
The Los Angeles animation industry is mourning the sudden death of Chris Reccardi.
London-based Passion Pictures has added its own unique take on the Disney classic "101 Dalmatians."
“There are no experts in virtual reality," says Corentin Lambot. "If someone says they are one, don’t believe them."
Cartoon Brew gets an early preview of Ollie VR, a new tool designed to ease people into animating in vr.
Director Jeremy Clapin and producer Marc du Pontavice give Cartoon Brew an exclusive first look at one of the year's most original animated features, "I Lost My Body."
A look at new and upcoming animated series.
"Super Shiro" will center on Shin-chan’s dog, who turns out to be more than just a pet.
Major names from the U.S. industry will be in attendance at this year's Cape Town International Animation Festival.
Forty minutes of quality keyframed animation every month? This Montreal studio is doing it.
"Spider-Verse" won every award for which it was nominated.
As we head into 2019, the School of Visual Arts in New York City offers a sneak peek at some of its outstanding in-progress thesis projects.
Cartoon Network's first animated series from Denmark had a heroic night at the European Animation Awards.
Based on the illustrations of Oscar-winning director Michael Dudok de Wit, "Ella, Oscar & Hoo" strikes an unusually poetic chord for a children's series.
Bidding and budgeting in vfx is a "dark art" to some - but it doesn't have to be.
The Walt Disney Company, the leading financial sponsor of ASIFA-Hollywood's Annie Awards, received 42 total nominations.