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Cartoon Brew Writers Pick Their Favorite Features, Series, And Shorts Of 2025
Cartoon Brew writers share their top animated features, series, and shorts of 2025, highlighting indie discoveries, global hits, and TV standouts.
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Director Mike Johnson On 20 Years Of ‘Corpse Bride’: ‘Proving Stop-Motion Could Be As Smooth And As Fluid As Computer Animation’
Mike Johnson discusses how 'Corpse Bride' reshaped stop-motion, proving the medium could match CG in fluidity and ambition while keeping to its handcrafted roots.
Mark Gustafson, Stop-Motion Veteran Who Co-Directed Oscar-Winning ‘Pinocchio,’ Dies At 64
Gustafson was also the supervising director of 'The PJs' and animation director of 'Fantastic Mr. Fox.'
Artists Of Any Skill Level Can Create Professional Quality Animation With Cartoon Animator 5.2’s Motion Pilot
CTA dev Garry Pye and his 15-year-old daughter Maddison demonstrate how easy creating animation is with CTA 5.2.
‘Across The Spider-Verse’ Editor Michael Andrews Explains How He Elevated The Film’s Intensity, Rhythm, And Emotion Through Editing
The editor of 'Across the Spider-Verse' dissects the film's unconventional opening sequence and its climactic train-top fight scene, among other topics.
20 Spooky Stop-Motion Classics To Get You In The Mood For Halloween
Historian Vincent Alexander has exhumed a frightening list of stop-motion gems worth dusting off this Halloween.
When Classical Music And Cartoons Mingled: How Friz Freleng’s ‘Rhapsody In Rivets’ Became “A Working-Class Fantasia”
Freleng’s film is a showcase for how rhythm and motion alone can create laughter when the timing is perfect.
Meet Any Malu, The Animated Influencer From Brazil Who Was Hired By Cartoon Network
You know you've created a popular cartoon character when fans turn up at your studio asking to meet her.
‘Primal’ Creator Genndy Tartakovsky: ‘Animation Is Too Fast. I Wanted To Slow Things Down.’
The veteran director talks to us about "Primal," his series-turned-feature, currently in the running for an Oscar.
CASE STUDY: Why DitoGear’s Animator Cube Should Be An Essential Part Of Your Stop-Motion Toolkit
DitoGear offers essential gear for stop-motion animators. Here's our case study of how one animator used DitoGear's Animator Cube to create his latest project.
How Animal Logic’s R&D For ‘The Lego Ninjago Movie’ Included Going to the Beach
The studio looked to real world reference for water, sand, fire, and smoke in their latest Lego movie.
Cartoon Brew 2008 Favorites: Jerry’s Picks
Favorites of 2008? Cartoon Brew co-editor Amid certainly chose several that could have/would have made the top of my list. However, upon …
‘Documentary Can Be More’: Director William David Caballero On Sundance Player ‘TheyDream’ (EXCLUSIVE CLIP)
Caballero discusses hybrid animation, miniature sets, and rotoscoped performance in a deeply personal documentary shaped by family memory and grief.
The Making Of Natalia Mirzoyan’s ‘Winter In March,’ An Oscar-Qualified Short Telling A Personal Story Of Resistance
'Winter in March' is a handcrafted film that uses soft materials to explore difficult, often painful subjects following Russia's invasion of Ukraine.
Annecy Winner Shaddy Safadi’s Terrifying New Short ‘Diaboli’ Debuts Online (EXCLUSIVE)
Annecy winner Shaddy Safadi ('Christo the Civilized Barbarian') debuts his dark horror short 'Diaboli,' a chilling tale of faith, fear, and the Devil’s return.
Go Behind The Scenes Of ‘Love, Death + Robots’ S4 In An Exclusive Video And Conversation With ‘Spider Rose’ Director Jennifer Yuh Nelson
'Spider Rose' director Jennifer Yuh Nelson on returning to favorite stories, designing an 'ugly cute' creature, and why U.S. sci-fi sticks to short form.
Director Dave McKean Reflects On ‘MirrorMask’ At 20: ‘It’s A Strange Mix Of Elements’
“I wasn’t aiming for realism,” says "MirrorMask" director Dave McKean. “CG can go anywhere and be anything, [but] so much of it is just trying to be photoreal, and that seems a very narrow target."
WATCH: DreamWorks Documentary ‘Shooting For The Moon’ Highlights History Of Studio From Artists’ Perspective
The unauthorized documentary provides new insights into the 30-year history of one of America's most famous animation studios.
‘Olivia & The Clouds,’ A Wildly Creative Feature From The Dominican Republic Made For Under $1 Million
Director Tomás Pichardo Espaillat speaks about his bigscreen accomplishment and how he turned limitations, like a lack of animators in his country, into an opportunity to experiment creatively.
Netflix Debuts Teaser For ‘Lost In Starlight,’ Its First Korean Original Animated Film
The movie will debut May 30 on the streaming service.
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