.png){kind=logo}
The pre-holiday box office sees ‘David’ surprise, ‘SpongeBob’ stumble, ‘Zootopia 2’ carry on, and ‘Avatar: Fire and Ash’ dominate globally.
The veteran producer discusses cultural ambition, original filmmaking, and how Studio 4°C navigates an anime industry driven by IP and scale.
The proposed deal puts Atomic Cartoons at the center of a debate over valuation, control, and whether Blue Ant’s offer reflects Thunderbird’s long term worth.
Director Haruo Sotozaki and DP Yûichi Terao discuss global success, creative pressure, fandom expectations, and shaping the franchise's final chapter.
From story structure to CG textures, Derek Drymon and the Reel FX animation team detail how SpongeBob’s theatrical DNA was preserved and expanded.
The feature was announced in 2023 with 'Captain Underpants' director David Soren, but today’s release offered no update, raising doubts about its future.
McHale and Ward discuss the guts of their three-act special, creating in isolation, and embracing non-canon storytelling, creative risk, and collaboration.
The WBD board warns shareholders Paramount's offer is too risky, citing uncertain financing and long-term concerns as the takeover fight continues.
Norway's Animasjonsdepartementet and Sweden's Brikk Animation used Don Bluth-era nostalgia and heartbreak to deliver an important anti-waste Christmas PSA.
The series will be split between a live-action murder mystery and a VFX-driven narrative set inside an ant colony facing an existential threat.
When studio president Tomohiro Maki was arrested in 2019 for sexual assault of a teenager, a subsequent audit unveiled years of unrecoverable mismanagement.
Director Julian Glander unpacks the visual design, storytelling choices, and Blender DIY animation methods behind a defining scene in 'Boys Go to Jupiter.'
Lindroth von Bahr offers a look into her unique casting process and creative approach, which helped her secure major Scandinavian and European acting talent.
Moho’s free 14.4 Side Quest update lets animators export full 2D rigs and animations to Unity, Unreal, Godot, and Blender using the glTF format.
The surprise bid disrupts Netflix’s near-finished deal and ignites a new battle over control, financing, and the future of major Hollywood assets.
What if Cinderella's stepsisters were just misunderstood? That's the question at the heart of Netflix's latest animated feature announcement.
Castillo discusses the film's horror roots, innovative technological pipeline, and adapting the aesthetic of Francisco de Goya's Black Paintings in animation.
Miailhe’s painted animation brings Alfred Nakache’s memories to life, charting a swimmer’s resilience through beauty, trauma, and water.
Cartoon Network vet Moynihan delivers a surreal tale of rebirth and existential dread, blending sacred imagery with lo-fi aesthetics.N
The acquisition positions Netflix to absorb a century of Warner Bros. film and animation history as industry consolidation accelerates.