Lost UPA Cartoon: Howdy Doody and his Magic Hat
Gene Deitch has written this plea before, but he’s not ready to give up hope. The first cartoon he ever directed – for UPA no less – is …
Gene Deitch has written this plea before, but he’s not ready to give up hope. The first cartoon he ever directed – for UPA no less – is …
Studio aka has completed a 25-minute film adaptation of the children’s book Lost and Found. The film, directed by Philip Hunt, will debut …
Over at CreativePro.com, writer Gene Gable has posted a great series of articles on all aspects of vintage design, discussing everything …
Directors Max Taylor and Tim McCourt break down the hybrid analog-digital process behind the band’s richly textured new animated short.
The event’s failure to edit out a shouted racial slur stood in stark contrast to a touching film about Black love and self-acceptance winning a top prize.
From VHS scars to Showa-era rhythms, the self-taught animator revives lost media textures, turning retro decay into videos with hundreds of millions of views.
Caballero discusses hybrid animation, miniature sets, and rotoscoped performance in a deeply personal documentary shaped by family memory and grief.
Oscar nominations revealed a risk-averse animated feature lineup, an unpredictable shorts race, and animation again ignored outside its own categories.
Featuring 2D, storybook animation, 'Póg mo Pigeon' is the distinctly Irish tale of Mikey, a boy growing up in a strict Catholic household.
'Cafuné' examines Europe’s immigration crisis through a child’s eyes, tracing the echoing trauma of her perilous Mediterranean crossing.
Staring nature's most popular and largest rodent, 'Capybaras' blends personal history, warm 2D animation, and powerful themes of empathy and collaboration.
See the full lineup of 113 animated shorts vying for the 2026 Oscars, along with voting requirements and key Academy awards dates.
At Fredrikstad Animation Festival, indie filmmaker Nikita Diakur shared how chaos, humor, and connection drive his one-of-a-kind creative process.
Szkiłądź’s 'Autokar' turns a child’s unaccompanied 1990s migration by bus from Poland to Belgium into a magical-realist journey of self-discovery.
Vine's 'Cardboard,' produced by Locksmith Animation, follows a single dad and his piglet kids who turn hardship into adventure using pure imagination.
Hudson reimagines Frankenstein for families in his 'Stitch Head' feature adaptation, a touching, gothic adventure about love, belonging, and courage.
Director Kenji Iwaisawa talks about his new film '100 Meters,' touching up his cult hit 'On-Gaku: Our Sound,' and what he's working on next.
Debt-hit Corus halts production at Nelvana, ending decades of beloved Canadian animation from 'Care Bears,' 'Babar,' 'The Magic Schoolbus,' and more.
HBO Max signs deal for 20 GKIDS films, from anime milestones to long-lost cult hits, many debuting in 4K or streaming in the U.S.
“I wasn’t aiming for realism,” says "MirrorMask" director Dave McKean. “CG can go anywhere and be anything, [but] so much of it is just trying to be photoreal, and that seems a very narrow target."