I saw Tim Beckhardt’s Pellet Gun in Ottawa a couple weeks ago. It’s a student film from RISD. I liked the crisp linear style and it made me chuckle even though I didn’t get it. Tim explained it to me afterward, and the explanation was quite reasonable, which made me wonder why I didn’t get it in the first place.

Wow, how quickly times change. A few years ago, while I was researching my book Cartoon Modern, I traveled all the way to Montreal to see the NFB short The Romance of Transportation. Today, it’s available instantaneously and free-of-charge on my iPhone.

If you have an iPhone, be sure to check out the newly released NFB iPhone app. Dozens of great and classic NFB animated shorts are available on it including Richard Condie’s The Big Snit, Norman McLaren’s Begone Dull Care, Caroline Leaf’s The Street, Ryan Larkin’s Street Musique, Gerald Potterton’s My Financial Career, Peter Foldes’s Hunger, and, of course, Colin Low’s The Romance of Transportation. More recent films like Chris Landreth’s Ryan and Theo Ushev’s Tower Bawher are also on there.

The app is a bit rough around the edges, but it is well-intentioned, offers terrific content, and did I mention, FREE! One of its nicest features is a “Watch Later” option that allows you to pre-download films and watch them off-line for up to 24 hours, which is perfect for subway and plane trips.

This one’s for you. It’s in Klingon!

This piece of Klingon Propaganda is brought to you by Mark Farinas San Francisco based Bad Monkey Studios.

(Thanks, Patrick Lake)

Jérémy Clapin’s Skhizein, a poignant short that grows on me every time I see it, is now available for online viewing. It’s also available for purchase in a limited edition of 500 dvds.

Worth checking out: a hi-res version of the Cartoonstitute short 3 Dog Band directed by Paul Rudish (Dexter’s Lab, Star Wars: Clone Wars). I wanted to like this short because there’s a lot to appreciate about it, including funny character movement, moments of visual inventiveness (the dj who flips his turntables into a bike), and a solid track at the end that is probably the best piece of music to ever accompany a Cartoon Network product.

At the same time, the characters have vague unappealing personalities, there’s little chemistry between the leads, and the attempts at humor fall flat (was the ending even supposed to be a joke?). It’s also a shame they couldn’t figure out what to do with the music. The last couple minutes come across as a fetishistic exercise in design and art direction that offers little in the way of entertainment value. By comparison, this is an example of how to properly end a cartoon with a musical sequence that rewards its audience.

In a shorts program, not every cartoon is going to be a homerun, especially when they’re produced in the completely nonsensical manner of allowing each director to only make one short. But when all is said and done, even the weaker shorts that I’ve seen so far from the Cartoonstitute program have their moments, and few appear to be offensively bad as so many TV animation pilots tend to be nowadays.

Filmmaker Michael Sporn interviews Jennifer and Bert Klein about their ambitious new animated short Pups of Liberty and the lengths they to to finish it:

Jennifer: It is hard to sit down and work after you have worked a full day, but I always remembered something Bert would say, “Even if you just get one drawing done you are one drawing ahead.” So I’d try and get one scene’s worth of layouts done a night, or read a track, or just something, and we’d inch forward until we were done.

The Venture Bros. creator Jackson Publick and voice actor James Urbaniak recently appeared on “The Best Show on WFMU with Tom Scharpling.” The interview lasts a couple hours and there’s a lot of goofiness, but there’s also a lot of good discussion because the host, Scharpling, is a TV writer and producer (Monk, Tom Goes to the Mayor). The interview begins a little after an hour into the September 29 program, which can be listened to at the WFMU website.

From Bert and Jennifer Klein (The Chestnut Tree) a handsome new short, Pups of Liberty. Here’s the trailer:

For more details on this short, visit the Pups of Liberty website.

Twenty-one-year old Leo Campasso, an animator at Buenos Aires studio HookUp Animation, created Wild Wind in his spare time. The short is an experiment that combines pixel-style characters with traditional cartoon animation principles. The results are a lot of fun and prove that one need not associate pixel animation with stilted, boring movement . Interesting sidenote: Leo said in his email to me that he’s been animating since he was twelve when he got his hands on a copy of Flash 4.

A high-res version of the film can be downloaded here.