Mamoru Hosoda On ‘Scarlet’s’ Shakespearean Roots And Developing A New Hybrid Pipeline
Hosoda breaks down Studio Chizu’s evolving CG pipeline, artistic influences, and the creative risks behind his most ambitious film yet.
Hosoda breaks down Studio Chizu’s evolving CG pipeline, artistic influences, and the creative risks behind his most ambitious film yet.
Warner Bros. plans a chibi-style anime starring Scooby and Shaggy, the latest move by the studio to export its most popular characters to the anime medium.
GKIDS ‘ parent company, Toho, is growing again. The Japanese giant has established a U.K. European HQ and purchased Anime Limited to scale distribution.
Isamu Imamake discusses character design, depictions of Hell and Shambhala, and blending hand-drawn and CG animation in his latest feature.
The veteran producer discusses cultural ambition, original filmmaking, and how Studio 4°C navigates an anime industry driven by IP and scale.
Director Haruo Sotozaki and DP Yûichi Terao discuss global success, creative pressure, fandom expectations, and shaping the franchise’s final chapter.
When studio president Tomohiro Maki was arrested in 2019 for sexual assault of a teenager, a subsequent audit unveiled years of unrecoverable mismanagement.
Takeshi Koike’s latest ‘Lupin’ film hits U.S. theaters in January, bringing a darker sci-fi edge and the ‘Redline’ director’s trademark dynamism.
The film turns on a gifted young runner who meets his first real rival, sparking a fierce mentorship, a fall from grace, and a powerful comeback on the track.
Shingo Yamashita’s debut feature blends myth and music in an electric virtual world as Studio Colorido and Netflix expand their anime partnership.
Netflix’s new London-set period drama follows an artistically driven Japanese student and an aloof aristocrat whose lives collide at a historic London academy.
The initial slate includes ‘The Stellar Swordmaster,’ ‘Hardcore Leveling Warrior,’ ‘Down to Earth,’ and ‘Elf & Warrior,’ all long-running favorites on Webtoon.
Kojima Productions unveils ‘Death Stranding Isolations’ for Disney+, the franchise’s second animated spinoff after September’s ‘Mosquito’ reveal.
Koike discusses bringing intensity, style, and motion to Lupin’s world, and why collaboration drives his boundary-pushing anime vision.
Director Yasuhiro Aoki reflects on crafting humor, rhythm, and visual contrast in ‘ChaO,’ a futuristic love story between a human and a mermaid.
At Tokyo IFF’s Anime Symposium, filmmakers discussed how festivals connect animation with global audiences and keep cinema experiences alive.
‘Chainsaw Man’ tops the U.S. box office with a $17.3M debut, strengthening Crunchyroll’s position as anime’s leading theatrical distributor.
Sony Pictures Television’s Keith Le Goy says anime and gaming will drive the next generation of global IP, and he’s got the receipts to back it up.
Warner Bros. Japan and Studio 4℃ debut the trailer for ‘All You Need Is Kill,’ reimagining Hiroshi Sakurazaka’s iconic sci-fi time loop story.
Director Kenji Iwaisawa talks about his new film ‘100 Meters,’ touching up his cult hit ‘On-Gaku: Our Sound,’ and what he’s working on next.