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‘Real Life Isn’t That Dramatic’: Director Xu Zao On Virtual Escapism In ‘Light Pillar’
Following the film’s Berlinale premiere, the director talked with us about blending formats, restrained emotion, and first-feature risks.
Blake Simons
‘Documentary Can Be More’: Director William David Caballero On Sundance Player ‘TheyDream’ (EXCLUSIVE CLIP)
Caballero discusses hybrid animation, miniature sets, and rotoscoped performance in a deeply personal documentary shaped by family memory and grief.
Cult Anime Legend Takeshi Koike Reflects On The Legacy Of ‘Lupin III’ And ‘Redline’: ‘The Key Word For Me Is Dynamism’
Koike discusses bringing intensity, style, and motion to Lupin’s world, and why collaboration drives his boundary-pushing anime vision.
Director Mike Johnson On 20 Years Of ‘Corpse Bride’: ‘Proving Stop-Motion Could Be As Smooth And As Fluid As Computer Animation’
Mike Johnson discusses how ‘Corpse Bride’ reshaped stop-motion, proving the medium could match CG in fluidity and ambition while keeping to its handcrafted roots.
‘My Melody & Kuromi’ Screenwriter Shuko Nemoto: ‘There’s A Warmth To Its Handmade Quality’
Screenwriter Shuko Nemoto shares her process behind Netflix’s ‘My Melody & Kuromi’ and how she brought emotional depth to beloved Sanrio icons.
Director Dave McKean Reflects On ‘MirrorMask’ At 20: ‘It’s A Strange Mix Of Elements’
“I wasn’t aiming for realism,” says “MirrorMask” director Dave McKean. “CG can go anywhere and be anything, [but] so much of it is just trying to be photoreal, and that seems a very narrow target.”
Maïlys Vallade And Liane-Cho Han On Their Thought-Provoking Hand-Drawn Feature ‘Little Amélie’
The film, which premiered at Cannes last month, is screening in competition at Annecy this week.