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Koike discusses bringing intensity, style, and motion to Lupin’s world, and why collaboration drives his boundary-pushing anime vision.
Mike Johnson discusses how ‘Corpse Bride’ reshaped stop-motion, proving the medium could match CG in fluidity and ambition while keeping to its handcrafted roots.
Screenwriter Shuko Nemoto shares her process behind Netflix’s ‘My Melody & Kuromi’ and how she brought emotional depth to beloved Sanrio icons.
“I wasn’t aiming for realism,” says “MirrorMask” director Dave McKean. “CG can go anywhere and be anything, [but] so much of it is just trying to be photoreal, and that seems a very narrow target.”
The film, which premiered at Cannes last month, is screening in competition at Annecy this week.