.png){kind=logo}
Animating Myth: The Line Takes Us Behind Their Trailer For Supergiant’s ‘Hades II’
Discover how The Line brought humanity, style, and mythic power to Supergiant Games’ 'Hades II' trailer, blending artistry with storytelling.
Search Results forpeople working cartoon
Crafting A Dream World: How Alexander Woo And Steve Pilcher Built Netflix’s Original Feature ‘In Your Dreams’
Netflix dropped a new trailer for its upcoming original 'In Your Dreams,' so we sat down with Pilcher to find out how his team created the film's dreamscapes.
Every Frame A Carving: Exclusive Clip From The Handcrafted Short ‘Forevergreen’ From Disney Vets Nathan Engelhardt, Jeremy Spears
Engelhardt, Spears, and a team of 200 volunteers spent five years working in their free time to create the short, including its lush, wood carved aesthetic.
‘Superman’ VFX: Framestore Delivers 590 Shots Including A Keyframed Fortress And A Super-Powered Pup
Framestore’s VFX team brought Krypto the Superdog and Superman’s Fortress of Solitude to life, contributing over 590 shots.
Tech Bros. Take Aim At Cannes With GenAI-Produced Animated Feature ‘Critterz’
OpenAI’s AI-backed 'Critterz' is sold as a test of ‘democratizing’ animation, a framing that feels disingenuous in today’s industry context.
‘Smurfs’ Marks Cinesite’s First End-To-End Animation And VFX Production, And A Return To The Classic Peyo Aesthetic
Cinesite takes on its first full animation and VFX feature with 'Smurfs,' now streaming on Paramount+, blending Peyo’s style with hybrid magic.
Watch Composer Pablo Pico Craft The Score For Eva Lusbaronian’s Toronto Player ‘Death Of The Fish’ (EXCLUSIVE)
Composer Pablo Pico discusses crafting the original music for Eva Lusbaronian’s dialogue-free short 'Death of the Fish,' which just premiered at TIFF.
Inside ‘MechWest’: How Blue Sky Vet And AnimSchool Founder David Gallagher Is Building An Indie Pipeline
Discover how Dave and Noah Gallagher built MechWest, a family-led indie series powered by AnimSchool grads and global collaborators.
The aBakening: Director Isabel Garrett Dishes On ‘The Great British Baking Show’s’ Sugary Stop-Motion Opener
Discover how Isabel Garrett and BlinkInk crafted 'Bake Off’s' new cosmic title sequence, blending stop-motion, 2D, CG, and VFX magic.
‘Spit And Duct Tape And Dreams’: How A Small Global Team Built The Queer CG Feature ‘Bouchra,’ Premiering In Toronto
'Bouchra,' a queer CG-animated story and Morocco’s first animated feature, world premieres at Toronto tonight.
Animation Jobs In The Age Of AI: Revelations From Luminate Intelligence’s 2025 Special Report
Luminate’s 2025 report shows how generative AI is reshaping animation jobs, putting some roles at risk, changing others, and creating new positions.
‘I Have To Animate Conan Someday’: Stop-Motion Savant Justin Rasch On His Love Of Toys, Craft And Literature’s Most Famous Barbarian
Animator Justin Rasch turns his lifelong Conan fandom into a stop-motion social campaign, bringing the Barbarian into battle with a Cthulhu-like monstrosity.
Netflix Publishes Generative AI Use Guidelines: Here’s What Is/Isn’t Allowed
Netflix outlines how AI can and can't be used in production, stressing it won’t replace artists and requires approval for key visuals or talent replication.
‘I Never Want To Just Repeat’: Lisa Hanawalt On Crafting A New Look For ‘Long Story Short’ – Exclusive Artwork
'Tuca & Bertie' Lisa Hanawalt discusses shaping the look of 'BoJack Horseman' and reinventing her style for 'Long Story Short' with Raphael Bob-Waksberg.
Hit Indie Pilot ‘Plinko and Mark’ Combines DIY Spirit With Saturday Morning Nostalgia
The indie pilot 'Plinko and Mark' blends contemporary humor with nostalgic '90s cartoon vibes, earning nearly 300k views since its July 31 debut.
Go Behind The Scenes Of ‘Love, Death + Robots’ S4 In An Exclusive Video And Conversation With ‘Spider Rose’ Director Jennifer Yuh Nelson
'Spider Rose' director Jennifer Yuh Nelson on returning to favorite stories, designing an 'ugly cute' creature, and why U.S. sci-fi sticks to short form.
‘Living Between 2D And 3D’: How ‘The Bad Guys 2’ Pushed Its Hybrid Animation Further
DreamWorks animators reveal how 'The Bad Guys 2' amps up its hybrid style with hand-drawn effects, anime-inspired flair, and ambitious action set pieces.
‘What If These Uber Eats Characters Had Internal Lives?’: Julian Glander On ‘Boys Go To Jupiter’
Julian Glander’s debut feature, 'Boys Go to Jupiter,' blends surreal CG animation, Gen Z humor, and DIY production into a one-of-a-kind indie film.
‘I’ve Seen That Kind Of Thing Before’: Why Eddie Alcazar Chose Clay Over Pixels For His ‘Bullet Time’ Video Game Segments (EXCLUSIVE)
Director Eddie Alcazar dives into clay animation and ’90s chaos with 'Bullet Time,' calling it a 'fresh new way' to blend nostalgia and form.
More Than An Ad Campaign: Aardman Artists Discuss Their Work On Coinbase’s ‘Human Nature’ Shorts
Coinbase teams up with Aardman for “Human Nature,” a stop-motion series using real voices to explore financial stress and introduce crypto concepts.
7 of 63