Chuck Jones’s Opinion of Working at Disney
I’ve praised this blog before, but the Chuck Jones blog, run by Chuck’s grandson Craig, continues to be a treasure trove of artwork and …
I’ve praised this blog before, but the Chuck Jones blog, run by Chuck’s grandson Craig, continues to be a treasure trove of artwork and …
Last weekend marked the 5th anniversary of the Cartoon Brew blog. I thought it might be fun to celebrate by looking at who’s reading the …
Since Cartoon Modern was published a few years ago, the most frequently asked question I’ve received about the book is, “Where’s the …
Whether your company is big or small, if you want to advertise on Cartoon Brew, there’s now an easy and efficient way to do so. Beginning …
Cartoon Brew TV is back from the holidays and we’re ready for action–19th century style! This week’s offering, Love on the Line (2008) …
Steven Subotnick’s film Hairyman began as an interpretation of an American folk tale from the South, but the idea evolved in an …
Welcome to our updated look. As the title of this post implies, this is not a complete overhaul. Rather it’s a refresh of the existing …
Cartoon Brew was launched four years ago this month – and my, how we’ve grown. Below are some thoughts on the anniversary from the …
French animation history Didier Ghez, publisher of the indispensable WALT’S PEOPLE interview series, has started working on a new book …
I received this email from a former Cartoon Network artist, who prefers to remain anonymous but has worked on a number of their projects …
Hosoda breaks down Studio Chizu’s evolving CG pipeline, artistic influences, and the creative risks behind his most ambitious film yet.
Built from years of field research and first-hand interviews, 'Black Butterflies' shows how animation lets documentary go where cameras can't follow.
Super Bowl champ Martellus Bennett and 'Phineas and Ferb' co-creator Jeff “Swampy” Marsh team up on Disney Jr.’s Hey A.J.!, out next week.
An interview with director Marta Reis Andrade exploring BAP Studio’s hybrid documentary style, family voices, memory, and magical realism.
A beloved Zagreb School icon is reimagined as an interactive experience that preserves the series’ philosophy of creativity, cooperation, and nonviolence.
Director Haruo Sotozaki and DP Yûichi Terao discuss global success, creative pressure, fandom expectations, and shaping the franchise's final chapter.
From story structure to CG textures, Derek Drymon and the Reel FX animation team detail how SpongeBob’s theatrical DNA was preserved and expanded.
McHale and Ward discuss the guts of their three-act special, creating in isolation, and embracing non-canon storytelling, creative risk, and collaboration.
Norway's Animasjonsdepartementet and Sweden's Brikk Animation used Don Bluth-era nostalgia and heartbreak to deliver an important anti-waste Christmas PSA.
Director Carlos Baena reveals how epic scale, emotional depth, and unexpected creative freedom drove 'WondLa’s' most ambitious season.