‘The Nut Job 3’ Confirmed By Korea’s RedRover, Joins K-Pop Feature ‘Rainmakers’ And ‘MegaRacer’ In Studio’s AFM Lineup
RedRover pushes into music-driven and sci-fi storytelling as it continues building its presence in global family entertainment.
RedRover pushes into music-driven and sci-fi storytelling as it continues building its presence in global family entertainment.
Phantom Media Group unites leading VFX and animation studios across the U.S., U.K., and India, including Tippett Studio and Milk.
Chicago-based animator Sarah Schmidt proves mainstream animation doesn't have to come from Hollywood with her Adult Swim 'Gassy's Gas ‘N Stuff' shorts.
Naito departs Paramount Animation, leaving a legacy as a thoughtful steward of beloved franchises who kept classic properties fresh and relevant.
Annecy winner Shaddy Safadi ('Christo the Civilized Barbarian') debuts his dark horror short 'Diaboli,' a chilling tale of faith, fear, and the Devil’s return.
ESMA’s sharp CG short 'Trash' follows a rat and pigeon through a decaying city, blending dystopian tension with striking artistry and sometimes hopeful beauty.
At Cartoon Springboard, Pablos showed off minutes-long animatic sequences, a thoroughly researched cast of primates, and a fully realized prehistoric world.
Aha Media releases a new 'Frames Per Second' short sharing Eric Calderon’s real-life journey in animation, produced through its student mentorship program.
'Chainsaw Man' tops the U.S. box office with a $17.3M debut, strengthening Crunchyroll’s position as anime's leading theatrical distributor.
A one-time loss in Brazil marred an otherwise strong quarter for the streamer, which has plenty more animation and AI planned for the near future.
Vine's 'Cardboard,' produced by Locksmith Animation, follows a single dad and his piglet kids who turn hardship into adventure using pure imagination.
'Two Ships' is a hand-drawn short that explores distance and connection as experienced by a couple occupying the same space, but with opposing schedules.
Director Guillaume Dousse reveals how Netflix’s 'Splinter Cell: Deathwatch' blends gritty realism, silence, and bursts of intense action.
Cartoon Saloon’s 'Éiru' is a visually lush Celtic myth about courage, nature, and divine balance, brought to life with a breathtaking color palette.
At Spain’s Weird Market, Guillermo García Carsi focused on storytelling and craft as Animaj’s AI-driven studio stayed out of the spotlight.
Banijay and TheSoul Publishing launch 'Ava & Digger,' a digital-first series testing a new, audience-driven distribution model.
New Canadian studio Limestone Animation debuts with R.L. Stine’s 'Stinetinglers,' the horror author’s first property adapted exclusively in animation.
Zohar Dvir’s 'Butterfly Kiss' turns fear of commitment into eerie body horror as a couple faces love, change, and metamorphosis.
Animaj and Studio 100 join forces to relaunch classic kids’ brand 'Maya the Bee' with new digital content, films, and planned global expansion.
Discover how Emmy-winning filmmaker James A. Castillo used VR tools to bring Goya’s haunting Black Paintings to life in 'The Quinta’s Ghost.'