Mamoru Hosoda On ‘Scarlet’s’ Shakespearean Roots And Developing A New Hybrid Pipeline
Hosoda breaks down Studio Chizu’s evolving CG pipeline, artistic influences, and the creative risks behind his most ambitious film yet.
Hosoda breaks down Studio Chizu’s evolving CG pipeline, artistic influences, and the creative risks behind his most ambitious film yet.
A preliminary calendar of animated feature films releasing in 2026, from major studio sequels to original anime, Pixar, Disney, and indie titles.
Creators Ben Bocquelet and Erik Fountain break down the long wait, warped humor, and production challenges behind Gumball’s rare Christmas episode.
Director Haruo Sotozaki and DP Yûichi Terao discuss global success, creative pressure, fandom expectations, and shaping the franchise’s final chapter.
Jeff Kinney explores the challenges and rewards of translating ‘Wimpy Kid’ into CG and why animation continues to expand the franchise’s creative frontiers.
‘Zootopia 2’ grew bigger as directors Jared Bush and Byron Howard stayed “free to fail,” taking risks to push story and world-building while keeping its heart.
Netflix dropped a new trailer for its upcoming original ‘In Your Dreams,’ so we sat down with Pilcher to find out how his team created the film’s dreamscapes.
Bobby Pontillas and Bernard Badion blend Filipino mythology and modern storytelling in their development award-winning ‘Sun Chasers,’ inspiring young Filipino artists.
“The ultimate challenge,” said co-director Chris Appelhans, “is that pop music, above all, needs to be a bop and it needs to be hooky, and it needs to be irresistible.”
The streamer offered new details about the show during its presentation at Annecy today.
Valley walks us through his inspirations and development of key scenes in his visually stunning installment for the Netflix anthology series.
Third Floor co-founder Josh Wassung explains how they built an animation studio around “Predator: Killer of Killers.”
Watch the voice actors of ‘Big Mouth’ do a live table read of the series finale.
Dozens of animated features are being presented at the Cannes Film Market this week. Here are some of the ones that caught our attention.
The new Disney+ documentary about the making of ‘A Goofy Movie’ is augmented with unique animated sequences that bring the story to life.
Music has always been a key element of the Looney Tunes shorts, and it is also an important part of the new Looney Tunes feature ‘The Day the Earth Blew Up.’
The show about comedian Kevin Hart as a child is BET+’s first original adult animated series.
Directors André Kadi and Karine Vézina spoke with Cartoon Brew about their new animated feature that explores the life and work of Frida Kahlo.
The groundbreaking adult animated series premieres this Sunday.
Are you ready for another packed year of feature-length animation?
Manoury walks us through a sequence from the episode “The Message Hidden Within the Pattern.”
Cartoon Brew spoke with Lorey about executing Gunn’s vision, the aesthetic challenges of their show, and if there’s feature animation plans for these Commandos.
Juston Gordon-Montgomery’s action-packed series with a lot of big ideas will debut this weekend on Adult Swim and Max.
The books will adapted as animated or live-action properties for both film and television.
For Shah, it wasn’t just about ‘how to create an animated revival of a live-action series, but ‘why.’
The survey is designed to create transparency on how much animation workers make in the U.K.
The iconic – and annoying – purple dinosaur is back!
The company is among the few animation studios that meets a B Corp’s stringent qualifications for social, environmental, and governance best practices.
Kline discussed with Cartoon Brew the challenges of musical segments in TV animation, balancing scripts and boards, and the show’s evolution from the original pitch.
He also shared with Cartoon Brew why this sequence didn’t make it into the final film.
The new studio aims to fill the creative void left behind by the closure of long-time Atlanta studio Primal Screen.
The rehaul includes a promotion for Pablo Zuccarino and the exit of APAC chief Christopher Ho.
Studio Ponoc founder Yoshiaki Nishimura says that ‘The Imaginary’ gave the studio a chance to move outside of its storytelling comfort zone, as well as push the look of their animation.
What began as a student film project has now been turned into a feature film.
The Canadian feature premieres at Annecy this week.