‘In The Shallows’ Is A Visceral Collage Film That Confronts The Chaos Of Digital Life
Arash Akhgari’s film combines collage with ink-and-paint animation to explore the fragmented, overstimulated nature of today’s media environment.
Arash Akhgari’s film combines collage with ink-and-paint animation to explore the fragmented, overstimulated nature of today’s media environment.
Third Floor co-founder Josh Wassung explains how they built an animation studio around “Predator: Killer of Killers.”
A look back at the Oscar-nominated short and the innovative artistry of Chris Lavis and Maciek Szczerbowski, directors of ‘The Girl Who Cried Pearls.’
The company is founded by Axis Studios veterans and has a strategic partnership with Aniventure.
The head of Lionsgate claims that making an anime feature is as simple as telling an AI software, “Do it in anime.”
Nasrabadi is taking on a key role at Netflix’s feature animation division, which currently employs 900 people across studios in Burbank, Vancouver, and Sydney.
Director Tomás Pichardo Espaillat speaks about his bigscreen accomplishment and how he turned limitations, like a lack of animators in his country, into an opportunity to experiment creatively.
Stepping into Pelstring’s world feels like entering a warped, psychedelic time capsule from the 1970s.
Watch the voice actors of ‘Big Mouth’ do a live table read of the series finale.
‘Dandelion’s Odyssey,’ which premiered at Cannes Critics’ Week, presents a daring fusion of time-lapse photography, robots, cg animation, and macro-photography.
Next week, the film will premiere in competition at the Annecy animation festival.
We take a look at ten new shorts screening at this year’s Annecy Festival.
We’re marking the livestream’s first year anniversary with a new broadcast design
The Montreal-based animation studio, known for projects like ‘The Day The Earth Blew Up: A Looney Tunes Movie’ and ‘The Bob’s Burgers Movie,’ is dipping its toes into AI-assisted production.
Company co-founder Andrew Carr speaks about Cartwheel, a new AI animation tool developed with the help of Pixar animators and backed by Jeffrey Katzenberg.
Set against a backdrop of soulful retro grooves, “Don’t Make it a Song,” a music video for Canal Power Club, is a breezy, funk-infused stop-motion piece.
A new season premieres next month, a decade after the show wrapped up its original run.
Hoedeman’s short films received dozens of awards, including the Oscar, BAFTA, and grand prix at Annecy.
‘The Real Ghostbusters: A Visual History’ will release in July from Dark Horse Comics.
The film, which debuted at Cannes and counts Natalie Portman among its producers, is shaping up as a key Oscar contender.
‘Lilo & Stitch’ just delivered the biggest Memorial Day launch in Hollywood history.