Octavio Rodriguez’s Eco-Minded Feature ‘On The Edge’ Targets 2027 Release, Fills Out Cast
‘On The Edge’ originated at Studio BlueGreen, a not-for-profit animation studio using entertainment to strengthen audience connections with nature.
‘On The Edge’ originated at Studio BlueGreen, a not-for-profit animation studio using entertainment to strengthen audience connections with nature.
Adobe confirms Animate will stay in Creative Cloud, receiving only “security and bug fixes, but will not get new features,” as all development has ended.
Production designer Aurélien Prédal explains the visual strategy, shifting styles, and aesthetic challenges behind the global series adaptation.
From VHS scars to Showa-era rhythms, the self-taught animator revives lost media textures, turning retro decay into videos with hundreds of millions of views.
D’Amaro will take over for outgoing boss Bob Iger on March 18, with Dana Walden also set for a promotion to president and chief creative officer.
The sudden shutdown ends decades of workflows, jeopardizes active productions, and deepens fears that AI-first strategies are steering the industry.
The Welsh studio’s first original IP blends dystopian world-building, lean production, and a digital-first approach to original CG animation.
Early projections suggest a $40–50 million debut, testing whether Pixar originals can once again compete theatrically without franchise support.
“Honestly, f**k AI”: Bonne Animation launches with an era-appropriate philosophy rooted in human craft, global collaboration, and handmade 2D animation.
“Nothing is there by chance,” O’Hara said of animation. “Every second is thought about by people who do beautiful work and really care about what they’re doing.”
Tartakovsky is reportedly attached to the animated series ‘Nine Voyages’ (working title), expanding the story of Corlys Velaryon from ‘House of the Dragon.’
Lema’s animated short adapts her graphic novel using embroidered sets and bespoke 2D animation to tell a story about mental illness and family memory.
According to franchise creator Masamune Shirow, the new series can be considered “the first installment of a second generation” for the iconic sci-fi franchise.
Tang has been with Adult Swim since 2012, and will lead development and current series, steering the network’s next wave of originals.
Expanding on the 2017 console collection and bringing it to handheld devices, this new 8-pack is bonkers, yeah, totally nuts.
Atomic’s leadership will remain in place to lead Blue Ant’s animation division, expanding the company’s production scale and global reach.
The streamer pledged at least €240,000/year, reinforcing Blender’s position as a professional, open-source tool for high-end animation pipelines.
‘Bluey’ was the year’s most watched anything, ‘KPop Demon Hunters’ took the top film prize, and Seth MacFarlane won Streaming Icon of the Year.
The former Paramount and Nickelodeon executive has launched a digital-first kids and family studio, blending YouTube incubation with a Sony theatrical deal.
After taking time to finish her graphic novel ‘Raise the Bar,’ formerly a series project at Netflix, Frick returns to animation with the stop-motion teaser.
Mattel and Hasbro unveil expansive toy lines tied to Netflix and Sony’s animated hit in a merchandise push that arrived long after the film broke out.