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2026 Oscars Short Film Contenders: ‘On Weary Wings Go By’ Director Anu-Laura Tuttelberg
DOK Leipzig winner 'On Weary Wings Go By' is a 16mm stop-motion poem about the Nordic winter, where porcelain beings wander through fading light.
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2026 Oscars Short Film Contenders: ‘Wednesdays With Gramps’ Directors Chris And Justin Copeland (EXCLUSIVE TRAILER)
'Wednesdays with Gramps,' is a vibrant DreamWorks short that celebrates gaming, family bonds, and finding connection across generations.
Director Mike Johnson On 20 Years Of ‘Corpse Bride’: ‘Proving Stop-Motion Could Be As Smooth And As Fluid As Computer Animation’
Mike Johnson discusses how 'Corpse Bride' reshaped stop-motion, proving the medium could match CG in fluidity and ambition while keeping to its handcrafted roots.
2026 Oscars Short Film Contenders: ‘Murmuration’ Directors Janneke Swinkels And Tim Frijsinger
A nursing home resident finds himself suddenly transforming into a bird. Although he is still accepted, he feels it may be time to join a new flock.
2026 Oscars Short Film Contenders: ‘No Vacancy’ Director Miguel Rodrick
Miguel Rodrick’s neon-drenched short 'No Vacancy' delves into a man’s unraveling mind in a decaying motel and earns 2026 Oscar qualification.
2026 Oscars Short Film Contenders: ‘Gigi’ Director Cynthia Calvi
'Gigi' follows a transgender woman’s poetic journey of self-discovery through metaphors of water, mermaids, and transformation.
2026 Oscars Short Film Contenders: ‘Butterfly Kiss’ Director Zohar Dvir
Zohar Dvir’s 'Butterfly Kiss' turns fear of commitment into eerie body horror as a couple faces love, change, and metamorphosis.
2026 Oscars Short Film Contenders: ‘Snow Bear’ Director Aaron Blaise
Aaron Blaise’s heartfelt, hand-drawn short 'Snow Bear' is a moving Arctic tale of loss, hope, and love, now qualified for the 2026 Oscars.
How ‘The Quinta’s Ghost’ Used VR Tools To Revive Goya’s 200-Year-Old Black Paintings Aesthetic
Discover how Emmy-winning filmmaker James A. Castillo used VR tools to bring Goya’s haunting Black Paintings to life in 'The Quinta’s Ghost.'
Animating Myth: The Line Takes Us Behind Their Trailer For Supergiant’s ‘Hades II’
Discover how The Line brought humanity, style, and mythic power to Supergiant Games’ 'Hades II' trailer, blending artistry with storytelling.
“I’m Tired Of Films That Try To Be Clear To Everyone”: Mykyta Lyskov Speaks To Ukrainians First In ‘Kyiv Cake’
Mykyta Lyskov’s 'Kyiv Cake' layers humor, tragedy, and surreal imagery to capture Ukraine’s resilience and defiance during war.
‘I Have To Animate Conan Someday’: Stop-Motion Savant Justin Rasch On His Love Of Toys, Craft And Literature’s Most Famous Barbarian
Animator Justin Rasch turns his lifelong Conan fandom into a stop-motion social campaign, bringing the Barbarian into battle with a Cthulhu-like monstrosity.
‘What If These Uber Eats Characters Had Internal Lives?’: Julian Glander On ‘Boys Go To Jupiter’
Julian Glander’s debut feature, 'Boys Go to Jupiter,' blends surreal CG animation, Gen Z humor, and DIY production into a one-of-a-kind indie film.
Piderman Homecoming: After 10 Years, ‘Baman Piderman’ Creators Reclaim Streaming Rights, Plan New Episodes To Conclude The Series
After a 10 year distribution nightmare, internet cult favorite 'Baman Piderman' returns to its owner's channel on Aug. 1 with new episodes planned.
Hot Wheels: Creating The Toy-Car Titles For JJ Abrams and LaToya Morgan’s Crime Thriller Series ‘Duster’
'We treated the cars like characters': Kevin Van Der Meiren and David Nicolas on the show's surreal Hot Wheels-inspired titles.
The Directors Of ‘KPop Demon Hunters’ Discuss The Unexpected Challenges Of Making An Animated K-Pop Film
"The ultimate challenge," said co-director Chris Appelhans, "is that pop music, above all, needs to be a bop and it needs to be hooky, and it needs to be irresistible."
The Offbeat Production Methods Of The NFB’s Stop-Motion Film ‘The Girl Who Cried Pearls’
Chris Lavis and Maciek Szczerbowski, directors of the iconic 'Madame Tutli-Putli,' are back with their latest stop-motion film that pushes the art form to new places.
Maïlys Vallade And Liane-Cho Han On Their Thought-Provoking Hand-Drawn Feature ‘Little Amélie’
The film, which premiered at Cannes last month, is screening in competition at Annecy this week.
No Longer Just A Previs Studio, The Third Floor Produces Its First Animated Film ‘Predator: Killer Of Killers’
Third Floor co-founder Josh Wassung explains how they built an animation studio around "Predator: Killer of Killers."
Momoko Seto’s ‘Dandelion’s Odyssey’ Is An Experimental Animated Feature Unlike Anything You’ve Seen Before
'Dandelion's Odyssey,' which premiered at Cannes Critics' Week, presents a daring fusion of time-lapse photography, robots, cg animation, and macro-photography.
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