The studio’s first project will be the preschool series “Go! Go! Cory Carson.”
Juried Emmy winners have been announced in the animation, interactive media, and motion design categories.
A preview of upcoming animation books.
We take an in-depth look at the animation strategy at each of the major U.S. streaming services.
With new competitors on the way, the streaming giant Netflix is turbocharging its preschool content production.
Netflix’s rise at the Emmys continues as it secures nominations in all but one animation-related category.
The show is aiming for an animation style “inspired by the classic Fleischer cartoons from the 1930s.”
Antín harnessed pre-Columbian iconography as the basis for the film’s character and production design.
The gains for the crew include establishing wage minimums and securing employer-paid health and retirement benefits.
The partnership creates new links between the famed French animation school, Japan, Africa, and the U.S.-based streaming service.
Dreamworks Animation TV unveiled two new series at Annecy this year.
Phil Rynda had a successful career as an artist before switching to the executive side. We spoke with him about how and why he did it.
It’s impossible to see everything at the Annecy animation festival, so here’s a few of our suggestions.
“I Lost My Body” will reach Netflix’s 150+ million subscribers.
Showrunner Anton Vereschagin shares the pipeline and tech challenges that come with producing a high-quality cg series in Russia.
The short film from Baobab Studios picked up four honors at the Daytime Creative Arts Emmy Awards.
The production crew of “Bojack Horseman” made the show a big success. But after five seasons, they still don’t have union wages or benefits.
A look at new and upcoming animation series for tv and streaming.
“It’s a different world from ‘Bojack.’ It’s not the same universe,” says “Tuca & Bertie” creator Lisa Hanawalt.