The delayed feature is skipping a theatrical roll-out in favor of Netflix.
The streaming platform has announced five features, two specials, and one limited series for the next 12 months.
A new analysis of data shows that the streaming wars have yet to really begin.
Welcome to our first-ever monthly guide to streaming animation.
In a Youtube video, Calderon appraises the major studios’ strategies, praises the industry’s growing diversity, and singles out the companies that deserve more airtime.
INBTWN bills itself as an “animation convention & festival built from the ground-up for today’s digital audiences.”
The filmmakers behind Netflix’s holiday special “Alien Xmas” discuss the uses of the pre-eminent stop-motion software.
Almost 800 episodes of kids’ programming have been added to the streaming service, which is also getting new parental controls.
The film will be helmed by vfx veteran Wendy Rogers (“Shrek,” “Spirit: Stallion of the Cimarron”) in her directorial debut.
“When I am writing, my Bose Noise-Canceling Headphones rarely leave my head,” says writer and director Damien O’Connor.
The streamer will release the film globally next fall.
Turner was most recently vice president, development at Disney Television Animation.
These indie animated features remind us that there isn’t — or shouldn’t have to be — anything inevitable about Hollywood’s dominance at the Oscars.
We consider some films very likely to be competing for an Oscar, from Pixar’s latest to an indie film made for $80.
“It’s terrible,” director Tim Hill says of the film’s jumbled release schedule.
Cinemas floundered in the West while the box office rebounded in the East. Then there’s Quibi…
A caveat: that growth has been entirely reversed by the pandemic.
“Demon Slayer” has grossed more than $100 million in ten days. “Over the Moon” managed only $582,000 in its first weekend.
The streamer is partnering with Naz, Science Saru, and Mappa in Japan, as well as Studio Mir in South Korea.