‘Shaun The Sheep: The Beast Of Mossy Bottom’ Gets New Trailer
Aardman’s upcoming stop-motion feature from Steve Cox and Matthew Walker sends Shaun into a monster-filled mystery timed to Halloween season.
From fully-animated features to vfx-driven live-action films, animation is an integral part of the theatrical marketplace today.
Aardman’s upcoming stop-motion feature from Steve Cox and Matthew Walker sends Shaun into a monster-filled mystery timed to Halloween season.
The Studio La Cachette director discusses Chinese folklore, personal history, and making an ambitious feature on an indie budget.
The team behind the ‘Kiri And Lou’s’ first feature discuss stop-motion craft, long-form filmmaking, and fostering local talent.
Pierre Coffin and Chris Meledandri on how Minions and Monsters reflects Illumination’s shift toward creator-driven risk-taking and its French roots.
Ahead of its Annecy Midnight Specials premiere, director Manu Gomez reflects on spending five years single-handedly crafting his hand-drawn thriller.
New footage, Filipino folklore, anime-inspired sequences, and Jennifer Hudson’s villain highlight DreamWorks’ Annecy showcase.
The director breaks down the adaptation process, voice performances, and emotional realities behind her Cannes favorite animated feature.
The long-running Cartoon Network franchise is getting another theatrical shot, but few details have emerged beyond the initial announcement.
Directed by Illumination veterans Eric Guillon, Claire Dodgson, and Jonathan Del Val, the film showcases the studio’s in-house talent.
At Annecy, the animation chief pitched an artist-first future guided by “Heart, Humor, Hope” and showcased projects through 2028.
Eva Cvijanović and Brigitte Archambault discuss their dystopian feature, NFB partnership, and unconventional production pipeline.
Ahead of its Annecy premiere, Louise Bagnall discusses adapting Jessica Love’s book and crafting the film’s vibrant visual world.
The Cannes-pitched stop-motion feature expands into a four-country co-production with new backing from Canada and Latvia.
The distributors have boarded Benjamin Massoubre and Fursy Teyssier’s psychological thriller, based on Jean-Marc Rochette’s graphic novel.
Osorio explains how Chile’s darkest moments inspired a family adventure about loss, justice, and forgiveness in a divided world.
Industry forecasts suggest the sequel could reach $312 million worldwide by the end of its opening weekend, the best for any film this year.
Jon Agee’s popular children’s book is being adapted into a musical comedy adventure for Apple with animation by WildBrain and pre-production by House of Cool.
Ahead of an Annecy competition appearance, the filmmaker discusses blending Chinese painting traditions with Western techniques to shape the feature’s look.
The Annecy competition player retells Bizet’s opera through children determined to change its ending and explores failure, hope, and collective action.
The Pixar sequel is projected to score one of 2026’s biggest debuts and the studio’s strongest launch since ‘Inside Out 2.’