‘Shaun The Sheep’ Filmmakers On Kid-Friendly Scares And Bringing Halloween To Mossy Bottom
Directors Steve Cox and Matthew Walker discuss spooky stop-motion, gothic lighting, and the film’s unusually fast Aardman production.
Directors Steve Cox and Matthew Walker discuss spooky stop-motion, gothic lighting, and the film’s unusually fast Aardman production.
Isabelle Aspin and Brian Smee explain how they created new animated footage for the restoration of Mexico’s long-lost 1983 animated sci-fi feature.
Simón Bucher discusses handmade filmmaking and creating a surreal longaniza origin story for Tomás Alzamora’s Chilean box office hit.
Richard Williams’ posthumous final film, the eight-minute, hand-drawn ‘Lysistrata,’ opens in Los Angeles after premiering at Annecy.
The Estonian filmmaker discussed his experimental process, childhood influences, unexpected breakthroughs, and the value of creative rejection.
The filmmakers behind the Brazilian feature discuss its 10-year production journey, festival reception, expressive visuals, and music.
Austin McConnell taught himself CG animation, built a production pipeline in his basement, and overcame a debilitating stroke to complete his 90-minute feature.
Kevin Gillis on the origins, music, watercolor aesthetic, and enduring appeal of the Canadian classic, as well as plans for a potential new series and feature.
The Oscar-winning animation and VFX pioneer is selling off decades of artifacts, but doesn't plan to retire anytime soon: “I will die with my sword in my hand.”
Director Dave Green explains how story artists, a life-size puppet, and classic cartoon flashbacks turned a silent slapstick icon into the heart of the film.
The new series launches with Ru Kuwahata, Max Porter, and Anna Mantzaris discussing their work, processes, and the challenges of stop-motion filmmaking.
An animatic for the crowdfunded follow-up drew 45,000 views in 24 hours, suggesting the creator-owned series has built a returning audience.
A revealing new report goes inside Studio Ghibli as the legendary animation house confronts an intentionally uncertain future on its own unusual terms.
The Norwegian festival’s 2026 competition features 60 animated shorts from 32 countries, with a strong focus on Nordic-Baltic talent.
Canadian animator Ivan Li discusses the sex, violence, discomfort, and unruly 3D worlds behind Finding Uranus, Fruit, Build, and Jelly Baddies.
Sun Xun discusses the decade-long production of 'Magic Atlas,' its handmade animation, shifting visual styles, political themes, and spiritual ideas.
Chinese animator Tara Hou discusses making 'The 70 Deadly Sins' and how USC’s Expanded Animation program shutdown disrupted her MFA education.
EP Mark Evestaff discusses the creative evolution behind the new special and honoring Charles Schulz’s vision for the beloved characters.
Oscar-winning inventor Don Iwerks transformed Disney attractions, large-format cinema, and 3D filmmaking across six decades.
Adult Swim president Michael Ouweleen explains how the network discovers creators, develops new talent, and looks beyond Hollywood.