Inside The Making Of ‘The Quinta’s Ghost’: Gothic Horror, 3D Brushstrokes, And 35mm Film
A deep dive into the experimental pipeline, painterly 3D design, and bold film-print process behind Spain’s Oscar-shortlisted short.
A deep dive into the experimental pipeline, painterly 3D design, and bold film-print process behind Spain’s Oscar-shortlisted short.
The studio system vet leaves blockbuster scale behind to explore myth, violence, and nature in a stark, self-driven project with help from his readers.
After two years in development, Sony has pulled the plug on the culturally rooted animated feature, calling it “not commercial enough.”
The Welsh studio’s first original IP blends dystopian world-building, lean production, and a digital-first approach to original CG animation.
After taking time to finish her graphic novel 'Raise the Bar,' formerly a series project at Netflix, Frick returns to animation with the stop-motion teaser.
A beloved Zagreb School icon is reimagined as an interactive experience that preserves the series’ philosophy of creativity, cooperation, and nonviolence.
From story structure to CG textures, Derek Drymon and the Reel FX animation team detail how SpongeBob’s theatrical DNA was preserved and expanded.
McHale and Ward discuss the guts of their three-act special, creating in isolation, and embracing non-canon storytelling, creative risk, and collaboration.
At Fredrikstad Animation Festival, indie filmmaker Nikita Diakur shared how chaos, humor, and connection drive his one-of-a-kind creative process.
Animator James Martin brings manga-inspired energy to Hyundai’s 'Japanese Drift Master' promo with bold, high-speed 2D animation.
Koike discusses bringing intensity, style, and motion to Lupin’s world, and why collaboration drives his boundary-pushing anime vision.
At Tokyo IFF’s Anime Symposium, filmmakers discussed how festivals connect animation with global audiences and keep cinema experiences alive.
Mike Johnson discusses how 'Corpse Bride' reshaped stop-motion, proving the medium could match CG in fluidity and ambition while keeping to its handcrafted roots.
NASCAR engineer Seth Dillard uses real-world aerodynamics software to prove Lightning McQueen's smile is actually a drag.
Explore Richard Williams’ legendary life and career in the new book 'Adventures in Animation,' featuring exclusive artwork and untold stories.
Journalist and writer Roland Kelts, Ghibli vet and Studio Ponoc founder Geoffrey Wexler, and Polygon Pictures' CEO Shuzo John Shiota share insights on anime’s global boom.
Showrunner Saladin K. Patterson explained why Hulu’s 'King of the Hill' revival looks different and how the team worked to honor the show’s original style.
DreamWorks animators reveal how 'The Bad Guys 2' amps up its hybrid style with hand-drawn effects, anime-inspired flair, and ambitious action set pieces.
Jorge Gutiérrez shares how autism shapes his storytelling and why embracing neurodivergent artists leads to bolder, richer, and more original animation.
Cuts to PBS Kids could drastically alter the U.S. animation landscape, disrupt children’s educational shows, and impact small studios nationwide.