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Raphael Bob-Waksberg On ‘Long Story Short,’ Satire Without Cynicism, And Giving Shows Time To Grow
The 'BoJack Horseman' creator discusses personal storytelling, visual reinvention, and why streamers shouldn't abandon slow-burn hits.
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‘We Need To Be Self-Reliant’: AnimaxFYB Founder Francis Y. Brown Reflects On The Ghanaian Studio’s First Decade
Brown discusses AnimaxFYB’s rise from Ghana’s lone animation studio to a leading force in West African animation working on its first original feature.
Cannes Standout ‘Iron Boy’ Set For U.S. Theatrical Run After Sony Pictures Classics Pickup
A boy confined to an iron brace searches for freedom in Louis Clichy’s painterly coming-of-age story set in rural France.
‘I’m Laughing And Enjoying The Shapes’: Lizzy Hobbs On Animating ‘Daughters Of The Late Colonel’
The British auteur discusses humor, handmade animation, and the joy of animating ahead of the film's Cannes debut and Annecy competition screening.
Let’s A-Go! ‘Mario,’ ‘Teen Titans’ Filmmakers Michael Jelenic And Aaron Horvath Sign Overall Deal At Netflix
The 'Teen Titans Go!' duo behind Illumination and Nintendo’s blockbuster Mario films will develop original animated projects for Netflix.
‘We Put All Of Our Effort, Sweat, And Tears Into Each And Every Film We Make’: Ghibli Cinematographer Atsushi Okui On ‘Arrietty,’ ‘Whisper Of The Heart’ (EXCLUSIVE)
The Ghibli veteran shares stories from the making of the beloved anime features, from sunrise shoots to the films' lush new 4K restorations.
Oscar-Nominated ‘A Cat in Paris’ Director Alain Gagnol Assembles A New Team For ‘Dog My Cats!’
Gagnol talks collaborating with Lilas Cognet after long-time partner Jean-Loup Felicioli retired, handcrafted visuals, and bringing the 2D feature to Cannes.
Signe Baumane’s ‘Karmic Knot’ Builds Buzz Ahead Of Busy Festival Season
Producer Fabian Driehorst discusses the film’s financing push, hybrid production style, and growing support from major actors and broadcasters.
Ha-Clay-Luiah! U.K. Stop-Motion Artists Get A New Plasticine Option With Chroma Clay
Created in the wake of Newplast’s shutdown, the wax-based material was developed with studio input for sculpting, molds, and durability over longer shoots.
How ‘Blaise’ Evolved From An Underground French Comic Strip To A Cannes-Playing Animated Feature
Dimitri Planchon and Jean-Paul Guigue unpack the film’s handmade 2D aesthetic, ensemble voice recording, and comic-book origins.
Warner Bros. Animation Expands Webtoon Partnership With Four New Projects
The companies' shared portfolio now includes 'Vampire Family,' 'The Wolf & Red Riding Hood,' 'Snow and Briar (And the Mirror of Seven Sins),' and 'Sable Curse.'
‘This Film Has Another Chance’: Matt Braly’s Sony-Scrapped ‘Afterworld’ Revived By Thailand’s The Monk Studio
Braly discusses financing, AI concerns, Annecy plans, and why the resurrected project needs a radically new visual approach, something he's very excited to do.
12,000 Hand-Painted Tiles Come To Life In Marcy Page’s ‘Virgin Fandango’ (EXCLUSIVE)
Marcy Page’s Annecy-bound short transforms ceramic murals into a stop-motion musical celebrating women, rebellion, and craft.
Honami Yano’s Hand-Painted Short ‘Eri’ Drops Trailer Ahead Of Cannes World Premiere (EXCLUSIVE)
The 'A Bite of Bone' director returns with a queer unrequited love story on a dairy farm that will debut in Directors’ Fortnight, eligible for the Queer Palm.
Yevhen Syvokin, Ukrainian Director, Artist, Writer, And Teacher, Dies At 88
Syvokin was a visionary artist and teacher who reshaped Soviet-era Ukrainian animation through satire, experimentation, and generations of students.
Fredrikstad Animation Festival Announces Animated Network Days For October 2026 (EXCLUSIVE)
The Nordic-Baltic animation festival expands with a new industry market focused on pitching, co-production, and financing.
‘The Material In ‘KYR-U’ Is Constitutional, Civic, And Genuinely Nonpartisan’: Inside The ACLU’s New Stop-Motion Series
Creator Brandon Lake discusses bringing 'Know Your Rights University' to YouTube with veteran stop-motion artists and a 'Schoolhouse Rock!' spirit.
Keep It In Motion: Bill Plympton At 80
'Short, fast, cheap, and funny': inside the working method that's kept the indie icon drawing through five decades and ten features.
Nathan Little Hand-Animated Sydney the Song Cat For Four Years, Then YouTube Demonitized It As ‘Inauthentic Content’ (EXCLUSIVE)
The industry vet says years of original 2D work was swept into a vague system with little explanation from a truly inauthentic customer service system.
‘Hopefully It’ll Outlive Me’: Emily Brundige On ‘Strawberry Vampire’ And Why She’s Done Handing Her IP To Studios
Inside the indie crowdfunded comedy about a 113-year-old vampire and her immigrant family, plus why its creator says studios get IP all wrong.
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