.png){kind=logo}
Creator Brandon Lake discusses bringing 'Know Your Rights University' to YouTube with veteran stop-motion artists and a 'Schoolhouse Rock!' spirit.
The industry vet says years of original 2D work was swept into a vague system with little explanation from a truly inauthentic customer service system.
Inside the indie crowdfunded comedy about a 113-year-old vampire and her immigrant family, plus why its creator says studios get IP all wrong.
Italy's annual animation and VFX gathering will honor 15 women across directing, cinematography, production design, VFX, publicity, and education.
After two years of development, the director realized his teen superhero story had become a Frankenstein. So he pitched cutting humans entirely.
A Pixar alum's 2D debut, an opera adaptation, a Blender simulation comedy, and a queer virus satire. The animation heading to the Croisette next week.
'He's cheating. You can't just draw your cartoon,' Harmon playfully accused Tartakovsky during a lighthearted talk on process and canon.
Fumi Games co-founder Mateusz Michalak and art director Michal Rostek on Fleischer-era research, freeze guns, and a viral TikTok demo.
Jarrod Prince made his 11-minute pilot mostly alone over five years on a shoestring budget. A year in, he's plotting his next steps.
Co-director David Florian says he expected 'a little email back' from Gobelins, not a public stance and legal threat defending the film's six alumni.
A supermajority of Wizards of the Coast developers are seeking voluntary recognition, citing layoffs, AI guardrails, and crunch protections.
Anthropic has also joined the Blender Development Fund as a patron while expanding art school partnerships across the country.
Daniel Chong’s debut feature passes 'Sinners' at the global box office, reinforcing animation’s strength as a driver of original theatrical hits.
The festival’s latest selections highlight a globally diverse slate of auteur-driven features, rising voices, and audience-friendly titles.
From studio previews to auteur tributes, this year’s slate highlights animation’s evolving landscape across commercial momentum and creative ambition.
The painterly pilot merges hybrid tools, fine art influences, and real-time audience input, revealing a tailor-made approach for a digital-native production.
Siegler’s student film builds out from a surreal island of spellcasters, blending chaotic humor, mixed media, and very real emotional themes of exclusion.
French artist Nicolas Pegon and producers Wizz and FOST unveil a stylized feature blending underground comics, punk music, and a surreal small-town mystery.
Developed at The Line, the game features a looping animation concept that becomes interactive, using death as a power-up across mechanics, levels, and story.
Ahead of its premiere, director Alejandra Pérez González discusses reshaping the film and how Fotosíntesis built its expressive 2D world.