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‘Jim Queen’ Flexes A Sweaty New Teaser Following Its Raucous Cannes Premiere (EXCLUSIVE)
Bobbypills and UMedia’s buzzy queer animated comedy follows a Paris gym icon battling a virus that turns gay men straight.
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How ‘Blaise’ Evolved From An Underground French Comic Strip To A Cannes-Playing Animated Feature
Dimitri Planchon and Jean-Paul Guigue unpack the film’s handmade 2D aesthetic, ensemble voice recording, and comic-book origins.
How The Brothers Behind ‘Superman: Awakens’ Launched An Original Sci-Fi Universe With ‘Sjor’ Using Unreal Engine 5
Antonis and Stavros Fylladitis discuss mythology, creating an original indie universe, and shaking the stigma around game engine-produced shorts.
Nathan Little Hand-Animated Sydney the Song Cat For Four Years, Then YouTube Demonitized It As ‘Inauthentic Content’ (EXCLUSIVE)
The industry vet says years of original 2D work was swept into a vague system with little explanation from a truly inauthentic customer service system.
‘Star Heist’: How A Group Of Spanish Pros Pulled Off A Star Wars Day Short In Less Than 12 Parsecs (EXCLUSIVE)
Director José Ucha and his team walk us through the break-neck production behind their stylish May the 4th animated tribute.
Nathan Greno Told John Lasseter He Wanted To ‘Blow Up’ His Own Movie, And Built ‘Swapped’ From the Debris (EXCLUSIVE BTS)
After two years of development, the director realized his teen superhero story had become a Frankenstein. So he pitched cutting humans entirely.
The Animation Challenge Behind ‘Mouse: P.I. For Hire’: Making Rubber Hose Work In A Video Game
Fumi Games co-founder Mateusz Michalak and art director Michal Rostek on Fleischer-era research, freeze guns, and a viral TikTok demo.
Fueled By Fandom, Open-Source Tools, And Art History: Why ‘Ebony Witch’ Is A Model Modern Indie Pilot
The painterly pilot merges hybrid tools, fine art influences, and real-time audience input, revealing a tailor-made approach for a digital-native production.
Blending Myth And Modern Life, Mexico’s 2D Gem ‘My Friend the Sun’ Premieres In Guadalajara (EXCLUSIVE)
Ahead of its premiere, director Alejandra Pérez González discusses reshaping the film and how Fotosíntesis built its expressive 2D world.
Big Emotion In A Tiny Amphibian’s World: The Making Of The Indie Epic Short ‘Axolodyssey’ (EXCLUSIVE)
Director Jon Densk shares how a pandemic idea became a boundary-pushing production, blending experience levels, indie funding, and heartfelt storytelling.
Hit Indie Sci-Fi Comedy ‘Sunny Side Down’ Wraps Season With A Hard-Earned Finale (EXCLUSIVE)
Make Originals's sci-fi comedy ends after three years of development and production, built on a lean, hybrid pipeline and direct-to-audience distribution.
French Fantasy Series ‘Ewilan’s Quest’ Reaches 2.6M Views; Debuts English-Subtitled Episodes (EXCLUSIVE)
Producer Sophie Saget and Andarta Pictures reveal how Pierre Bottero’s fantasy novels became an ambitious animated series years in the making.
BTS Of Disney’s Latest ‘Short Circuit’ Films, And Why It’s One Of The Studio’s Most Interesting Initiatives
A look behind Disney’s latest 'Short Circuit' films, a program where artists “aren’t afraid to show stuff that was rough” and push bold ideas forward.
Economic Anxiety Animated: Behind The Viral Success Of ‘Middle Class Matt’
Show creators unpack the craft, financing, and audience appeal behind a breakout series tackling hedgelords, childcare costs, and modern middle-class pressures.
Ghibli’s ‘Whisper Of The Heart,’ ‘The Secret World Of Arrietty’ Headding To U.S. IMAX With 4K Remasters
GKIDS brings the underrated Ghibli gems to U.S. and Canadian IMAX screens in newly remastered 4K for one-day event screenings.
Bad Bunny Needed An Animated Frog — Puerto Rico’s Only Stop-Motion Studio Was Ready
Animator Quique Rivera built Acho Studio from scratch in Puerto Rico. Then Bad Bunny’s projects thrust the studio into the spotlight.
Fake Xerox And Real Piano Wire: How Gorillaz Went Old School For ‘The Mountain’
Directors Max Taylor and Tim McCourt break down the hybrid analog-digital process behind the band’s richly textured new animated short.
‘Real Life Isn’t That Dramatic’: Director Xu Zao On Virtual Escapism In ‘Light Pillar’
Following the film's Berlinale premiere, the director talked with us about blending formats, restrained emotion, and first-feature risks.
‘Black Kids Deserve To Go To Narnia’: ‘The Three Tomes’s’ Breana Navickas On Building Fantasy On Her Own Terms
Animator Breana Navickas on building 'The Three Tomes' independently, centering Black joy, queer YA fantasy, and surviving industry erosion.
‘How Do You Turn A Weakness Into A Strength?’: ‘GOAT’ Director Tyree Dillihay On The Meta Message Behind Sony’s Hit Underdog Story
Dillihay explains how broadcast grammar, shot selection, and pacing helped Sony’s animated feature capture the stakes of elite-level play and find its audience.
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